1. D. W. Griffith et l'émergence du montage alterné
  2. André Gaudreault, Philippe Gauthier
  3. pp. 1-29
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  1. "It's Over": Reflexivity in Don Mckellar's Last Night
  2. Allan Weiss, Nicole Black
  3. pp. 31-45
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  1. Building a Hong Kong Studio Brand: Milkyway's Changing Image in Overseas Critical Reception
  2. Sun Yi
  3. pp. 46-67
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  1. Democratic Movement and the Spaces of American Modernity in Early 1930s Woman's Films
  2. Andrée Lafontaine
  3. pp. 68-92
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  1. Prégénériques et génériques dans les adaptations cinématographiques québécoises
  2. Marie Pascal
  3. pp. 93-116
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  1. Reflecting the Man: Gendering Race in Paul Haggis's Crash
  2. Mandy Elliott
  3. pp. 117-133
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  1. Dying in Full Detail: Mortality and Digital Documentary by Jennifer Malkowski (review)
  2. Jaimie Baron
  3. pp. 134-137
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  1. What Algorithms Want: Imagination in the Age of Computing by Ed Finn (review)
  2. Jonathan Cohn
  3. pp. 138-140
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  1. Transgression in Anglo-American Cinema: Gender, Sex and the Deviant Body ed. by Joel Gwynne (review)
  2. Martin Fradley
  3. pp. 141-144
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  1. Women and Resistance In Contemporary Bengali Cinema: A Freedom Incomplete by Srimati Mukherjee (review)
  2. Bansari Mitra
  3. pp. 145-147
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  1. Hollywood Aesthetic: Pleasure In American Cinema by Todd Berliner (review)
  2. Grant Wiedenfeld
  3. pp. 148-151
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