In this Issue

Table of Contents

Editor's Introduction

Gayle Magee
pp. 133-134
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Breaking Silence, Breaching Censorship: "Ongoing Interculturality" in Alice Shields's Electronic Opera Apocalypse

Danielle Sofer
pp. 135-162
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A "Traditional" Music Scene and Its Fringes: Experimental Bluegrass of 1970s New York City

Benjamin Krakauer
pp. 163-193
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"Every Evening at 8": The Rise of the Promenade Concerts in Late Nineteenth-Century Boston

Kenneth H. Marcus
pp. 194-221
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Alex North's Adapted Score for The Dead (John Huston, 1987)

John O'Flynn
pp. 222-243
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BroadwayHD.com (review)

Megan Woller
pp. 244-246
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The Sea Ranch Songs by Aleksandra Vrebalov (review)

John Pippen
pp. 247-249
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Songs of Struggle and Hope by Agustín Lira and Alma (review)

Martha Gonzalez
pp. 250-252
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The Elocutionists: Women, Music, and the Spoken Word by Marian Wilson Kimber (review)

Jake Johnson
pp. 253-254
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A Song to Save the Salish Sea: Musical Performance as Environmental Activism by Mark Pedelty (review)

Andrew Mark
pp. 254-258
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The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals by Jonas Westover (review)

Jane Mathieu
pp. 258-261
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"On My Way": The Untold Story of Rouben Mamoulian, George Gershwin, and "Porgy and Bess." by Joseph Horowitz (review)

Ellen Noonan
pp. 261-263
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Hymns for the Fallen: Combat Movie Music and Sound after Vietnam by Todd Decker (review)

Wesley O'Brien
pp. 264-266
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The Mountain Will Fall by DJ Shadow (review)

Vanessa Chang
pp. 267-269
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