1. Editor's Introduction
  2. Gayle Magee
  3. pp. 133-134
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  1. Breaking Silence, Breaching Censorship: "Ongoing Interculturality" in Alice Shields's Electronic Opera Apocalypse
  2. Danielle Sofer
  3. pp. 135-162
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  1. A "Traditional" Music Scene and Its Fringes: Experimental Bluegrass of 1970s New York City
  2. Benjamin Krakauer
  3. pp. 163-193
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  1. "Every Evening at 8": The Rise of the Promenade Concerts in Late Nineteenth-Century Boston
  2. Kenneth H. Marcus
  3. pp. 194-221
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  1. Alex North's Adapted Score for The Dead (John Huston, 1987)
  2. John O'Flynn
  3. pp. 222-243
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  1. BroadwayHD.com (review)
  2. Megan Woller
  3. pp. 244-246
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  1. The Sea Ranch Songs by Aleksandra Vrebalov (review)
  2. John Pippen
  3. pp. 247-249
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  1. Songs of Struggle and Hope by Agustín Lira and Alma (review)
  2. Martha Gonzalez
  3. pp. 250-252
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  1. The Elocutionists: Women, Music, and the Spoken Word by Marian Wilson Kimber (review)
  2. Jake Johnson
  3. pp. 253-254
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  1. A Song to Save the Salish Sea: Musical Performance as Environmental Activism by Mark Pedelty (review)
  2. Andrew Mark
  3. pp. 254-258
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  1. The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals by Jonas Westover (review)
  2. Jane Mathieu
  3. pp. 258-261
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  1. "On My Way": The Untold Story of Rouben Mamoulian, George Gershwin, and "Porgy and Bess." by Joseph Horowitz (review)
  2. Ellen Noonan
  3. pp. 261-263
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  1. Hymns for the Fallen: Combat Movie Music and Sound after Vietnam by Todd Decker (review)
  2. Wesley O'Brien
  3. pp. 264-266
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  1. The Mountain Will Fall by DJ Shadow (review)
  2. Vanessa Chang
  3. pp. 267-269
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