1. General Editor's Introduction
  2. Kathryn Prince
  3. pp. 195-196
  4. DOI: 10.1353/shb.2018.0020
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  1. Foul Pranks: Recognizing Vice Principals as a Comic Othello
  2. James Newlin
  3. pp. 197-223
  4. DOI: 10.1353/shb.2018.0021
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  1. Malaysian Moors: Ethnicity, Speech, and Identity in Jarum Halus (2008)
  2. Su Mei Kok
  3. pp. 225-250
  4. DOI: 10.1353/shb.2018.0022
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  1. A Tale of Twelfth Night: Music, Performance, and the Pursuit of Authenticity
  2. Amanda Eubanks Winkler
  3. pp. 251-270
  4. DOI: 10.1353/shb.2018.0023
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  1. The Wide Gap of Sixteen Years: The Performance of Time in The Winter's Tale in Britain, 2001–2017
  2. José A. Pérez Díez
  3. pp. 299-317
  4. DOI: 10.1353/shb.2018.0025
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  1. Le Marchand de Venise (Business in Venice) (review)
  2. Janice Valls-Russell
  3. pp. 319-323
  4. DOI: 10.1353/shb.2018.0026
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  1. A Midsummer Night's Dream (review)
  2. Barbara Ann Lukacs
  3. pp. 323-326
  4. DOI: 10.1353/shb.2018.0027
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  1. Summer's Last Will and Testament (review)
  2. Harry R. McCarthy
  3. pp. 326-331
  4. DOI: 10.1353/shb.2018.0028
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  1. Love's Labour's Lost, and: The Fall of King Henry (Henry VI, Part 3) (review)
  2. Justin B. Hopkins
  3. pp. 331-340
  4. DOI: 10.1353/shb.2018.0029
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  1. Romeo & Juliet / Layla & Majnun (review)
  2. Elizabeth E. Tavares
  3. pp. 340-345
  4. DOI: 10.1353/shb.2018.0030
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  1. Die Fremden/Der Kaufmann von Venedig (review)
  2. Marlena Tronicke
  3. pp. 345-350
  4. DOI: 10.1353/shb.2018.0031
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  1. Upstart Crow Series 2 (review)
  2. James Alsop
  3. pp. 350-354
  4. DOI: 10.1353/shb.2018.0032
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  1. A Midsummer Night's Dream (review)
  2. Elizabeth Moroney
  3. pp. 354-358
  4. DOI: 10.1353/shb.2018.0033
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  1. Henry IV Part One, and: Henry IV Part Two, and: The Merry Wives of Windsor (review)
  2. Michael W. Shurgot
  3. pp. 358-370
  4. DOI: 10.1353/shb.2018.0034
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  1. Antipodal Shakespeare by Gordon McMullan et al. (review)
  2. Angela Eward-Mangione
  3. pp. 371-375
  4. DOI: 10.1353/shb.2018.0035
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