This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.

Front Cover: Sigurður Magnússon
TÚRBÍNUR — TURBINES (detail), 2017
Oil on canvas, 120 × 120 cm
Photography: Sigurgeir Sigurjónsson

View Full Resolution

Back Cover: Sigurður Magnússon
GRÁR FUGL — GREY BIRD, 2010
Oil on canvas, 150 × 150 cm
Photography: Sigurgeir Sigurjónsson

Diacritics

In this Issue

View Formatted Version

ImagesPaintings, 2000–2017
Sigurður Magnússon
pp. 3-123
DOI: https://doi.org/10.1353/dia.2017.0015

Eccentric Earth
Frédéric Neyrat, Drew S. Burk
pp. 4-21
DOI: https://doi.org/10.1353/dia.2017.0010

Critique of Populist Reason
Walter A. Johnston
pp. 24-51
DOI: https://doi.org/10.1353/dia.2017.0011

Twitter through the Prism of Hannah Arendt and Maurice Blanchot
Stanley Raffel
pp. 54-74
DOI: https://doi.org/10.1353/dia.2017.0012

Revolution and Time in Kristeva's Writing
Miglena Nikolchina
pp. 76-98
DOI: https://doi.org/10.1353/dia.2017.0013

Nietzsche and Anaximander on Being and Becoming
Chris Kassam, Robbie Duschinsky
pp. 100-116
DOI: https://doi.org/10.1353/dia.2017.0014

Previous Issue

Volume 45, Number 2, 2017

Next Issue

Volume 45, Number 4, 2017

Project MUSE Mission

Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.