1. Correction
  2. p. i
  3. DOI: 10.1353/sty.2018.0029
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  1. Unshared Presuppositions and Assumptions in Flannery O’Connor’s Wise Blood
  2. Reiko Ikeo
  3. pp. 189-211
  4. DOI: 10.1353/sty.2018.0030
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  1. The Fateful Impact: Moby-Dick and Heart of Darkness
  2. Jeffrey Meyers
  3. pp. 212-221
  4. DOI: 10.1353/sty.2018.0031
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  1. Negative Strategies and World Disruption in Postapocalyptic Fiction
  2. Marco Caracciolo
  3. pp. 222-241
  4. DOI: 10.1353/sty.2018.0032
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  1. Late Dickinson: In Praise of Blandness, Agedness, and Oblivion
  2. Yanbin Kang
  3. pp. 242-267
  4. DOI: 10.1353/sty.2018.0033
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  1. “I’ll Come Back and Break Your Spell”: Narrative Freedom and Genre in The Haunting of Hill House
  2. Hilarie Ashton
  3. pp. 268-286
  4. DOI: 10.1353/sty.2018.0034
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  1. Edgar Allan Poe’s Gothic Aesthetics of Things: Rereading “The Fall of the House of Usher”
  2. Tang Weisheng
  3. pp. 287-301
  4. DOI: 10.1353/sty.2018.0035
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  1. Emotional Contagion and Co-Authored Family Narratives in Parenthood
  2. Wyatt Moss-Wellington
  3. pp. 302-320
  4. DOI: 10.1353/sty.2018.0036
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  1. A Cross-Cultural Comparison of Infernal Affairs and The Departed
  2. Li Wanlin
  3. pp. 321-344
  4. DOI: 10.1353/sty.2018.0037
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  1. Desire in the Canterbury Tales by Elizabeth Scala (review)
  2. Ben Parsons
  3. pp. 351-355
  4. DOI: 10.1353/sty.2018.0039
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  1. US Poetry in the Age of Empire, 1979–2012 by Piotr K. Gwiazda (review)
  2. Jeff Westover
  3. pp. 355-359
  4. DOI: 10.1353/sty.2018.0040
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