In this Issue

Table of Contents

Editor's Note

Rebecca Rovit
pp. 1-2
DOI: https://doi.org/10.1353/dtc.2018.0000
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"Ulysses' Craft": Euripides and Levinas

Dylan Shaul
pp. 7-25
DOI: https://doi.org/10.1353/dtc.2018.0001
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Paradoxical Sleep and Flights of Imagination: Sleep Rock Thy Brain and the Performance of Research

Amy Steiger
pp. 27-47
DOI: https://doi.org/10.1353/dtc.2018.0002
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Dramatic Theory?

Eero Laine
pp. 49-52
DOI: https://doi.org/10.1353/dtc.2018.0003
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Dramatic Criticism's Imperial Ambitions: Brander Matthews and the Establishment of Theatre in US Higher Education

Charlotte M. Canning
pp. 53-65
DOI: https://doi.org/10.1353/dtc.2018.0004
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Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance

Donatella Galella
pp. 67-77
DOI: https://doi.org/10.1353/dtc.2018.0005
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Reaffirmation of Life: Dramatic Theory and Race

Harvey Young, Bethany Hughes
pp. 79-87
DOI: https://doi.org/10.1353/dtc.2018.0006
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Allegories of Spectatorship: On Michael Fried's Theory of Drama

Joseph Cermatori
pp. 89-103
DOI: https://doi.org/10.1353/dtc.2018.0007
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Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy

Charlotte Farrell
pp. 105-116
DOI: https://doi.org/10.1353/dtc.2018.0008
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The Virtue of Pandering: Notes Toward an Aesthetics of Melodrama

George Pate
pp. 117-128
DOI: https://doi.org/10.1353/dtc.2018.0009
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Activating the Asterisk: The Dramaturgy of Intentionality

Faedra Chatard Carpenter
pp. 129-140
DOI: https://doi.org/10.1353/dtc.2018.0010
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The Poetics of Performance Nonevents

Pannill Camp
pp. 141-150
DOI: https://doi.org/10.1353/dtc.2018.0011
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Neoliberalism, Professionalization, Debt, and the MFA

Patricia Ybarra
pp. 151-159
DOI: https://doi.org/10.1353/dtc.2018.0012
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Vanguard Performance Beyond Left and Right ed. by Kimberly Jannarone (review)

James M. Cherry
pp. 163-164
DOI: https://doi.org/10.1353/dtc.2018.0013
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Brecht in Practice: Theatre, Theory and Performance by David Barnett (review)

Stacey Connelly
pp. 165-167
DOI: https://doi.org/10.1353/dtc.2018.0014
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Forms of Conflict: Contemporary Wars on the British Stage by Sara Soncini (review)

Amanda Dawson
pp. 167-169
DOI: https://doi.org/10.1353/dtc.2018.0015
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The Routledge Companion to Jacques Lecoq eds. by Mark Evans and Rick Kemp (review)

James Hesla
pp. 169-171
DOI: https://doi.org/10.1353/dtc.2018.0016
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Theatre, Performance and Cognition: Languages, Bodies and Ecologies eds. by Rhonda Blair and Amy Cook (review)

Scott C. Knowles
pp. 171-173
DOI: https://doi.org/10.1353/dtc.2018.0017
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Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage eds. by Carl Lavery and Clare Finburgh (review)

Matthew Moore
pp. 173-176
DOI: https://doi.org/10.1353/dtc.2018.0018
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Applied Drama: A Facilitator's Handbook for Working in Community by Monica Prendergast and Juliana Saxton (review)

Jodi Van Der Horn-Gibson
pp. 176-178
DOI: https://doi.org/10.1353/dtc.2018.0019
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Books Received*Assigned for review **Review appears in JDTCs Spring 2018 issue

pp. 179-189
DOI: https://doi.org/10.1353/dtc.2018.0020
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