1. Editor's Note
  2. Rebecca Rovit
  3. pp. 1-2
  4. DOI: 10.1353/dtc.2018.0000
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  1. "Ulysses' Craft": Euripides and Levinas
  2. Dylan Shaul
  3. pp. 7-25
  4. DOI: 10.1353/dtc.2018.0001
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  1. Paradoxical Sleep and Flights of Imagination: Sleep Rock Thy Brain and the Performance of Research
  2. Amy Steiger
  3. pp. 27-47
  4. DOI: 10.1353/dtc.2018.0002
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  1. Dramatic Theory?
  2. Eero Laine
  3. pp. 49-52
  4. DOI: 10.1353/dtc.2018.0003
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  1. Dramatic Criticism's Imperial Ambitions: Brander Matthews and the Establishment of Theatre in US Higher Education
  2. Charlotte M. Canning
  3. pp. 53-65
  4. DOI: 10.1353/dtc.2018.0004
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  1. Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance
  2. Donatella Galella
  3. pp. 67-77
  4. DOI: 10.1353/dtc.2018.0005
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  1. Reaffirmation of Life: Dramatic Theory and Race
  2. Harvey Young, Bethany Hughes
  3. pp. 79-87
  4. DOI: 10.1353/dtc.2018.0006
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  1. Allegories of Spectatorship: On Michael Fried's Theory of Drama
  2. Joseph Cermatori
  3. pp. 89-103
  4. DOI: 10.1353/dtc.2018.0007
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  1. Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy
  2. Charlotte Farrell
  3. pp. 105-116
  4. DOI: 10.1353/dtc.2018.0008
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  1. The Virtue of Pandering: Notes Toward an Aesthetics of Melodrama
  2. George Pate
  3. pp. 117-128
  4. DOI: 10.1353/dtc.2018.0009
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  1. Activating the Asterisk: The Dramaturgy of Intentionality
  2. Faedra Chatard Carpenter
  3. pp. 129-140
  4. DOI: 10.1353/dtc.2018.0010
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  1. The Poetics of Performance Nonevents
  2. Pannill Camp
  3. pp. 141-150
  4. DOI: 10.1353/dtc.2018.0011
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  1. Neoliberalism, Professionalization, Debt, and the MFA
  2. Patricia Ybarra
  3. pp. 151-159
  4. DOI: 10.1353/dtc.2018.0012
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  1. Vanguard Performance Beyond Left and Right ed. by Kimberly Jannarone (review)
  2. James M. Cherry
  3. pp. 163-164
  4. DOI: 10.1353/dtc.2018.0013
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  1. Brecht in Practice: Theatre, Theory and Performance by David Barnett (review)
  2. Stacey Connelly
  3. pp. 165-167
  4. DOI: 10.1353/dtc.2018.0014
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  1. Forms of Conflict: Contemporary Wars on the British Stage by Sara Soncini (review)
  2. Amanda Dawson
  3. pp. 167-169
  4. DOI: 10.1353/dtc.2018.0015
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  1. The Routledge Companion to Jacques Lecoq eds. by Mark Evans and Rick Kemp (review)
  2. James Hesla
  3. pp. 169-171
  4. DOI: 10.1353/dtc.2018.0016
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  1. Theatre, Performance and Cognition: Languages, Bodies and Ecologies eds. by Rhonda Blair and Amy Cook (review)
  2. Scott C. Knowles
  3. pp. 171-173
  4. DOI: 10.1353/dtc.2018.0017
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  1. Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage eds. by Carl Lavery and Clare Finburgh (review)
  2. Matthew Moore
  3. pp. 173-176
  4. DOI: 10.1353/dtc.2018.0018
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  1. Applied Drama: A Facilitator's Handbook for Working in Community by Monica Prendergast and Juliana Saxton (review)
  2. Jodi Van Der Horn-Gibson
  3. pp. 176-178
  4. DOI: 10.1353/dtc.2018.0019
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  1. Books Received: *Assigned for review **Review appears in JDTCs Spring 2018 issue
  3. pp. 179-189
  4. DOI: 10.1353/dtc.2018.0020
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