1. Black Objects: Animation and Objectification in Charles Chesnutt's Conjure Tales
  2. Joshua Lam
  3. pp. 369-398
  4. DOI: 10.1353/lit.2018.0024
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  1. George Orwell, Desire, and Encounters with Rural Sex in Mid-Century England
  2. Jamie Wood
  3. pp. 399-423
  4. DOI: 10.1353/lit.2018.0025
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  1. Conrad's Erotic Women
  2. Joyce Wexler
  3. pp. 424-448
  4. DOI: 10.1353/lit.2018.0026
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  1. "From many million heart-throbs": Walt Whitman's Communitarian Sentimentalisms
  2. Stefan Schöberlein
  3. pp. 449-486
  4. DOI: 10.1353/lit.2018.0027
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  1. Joyce and Heidegger: Appropriations of the Past Toward a New Philosophy of Transcendence
  2. Donovan Irven
  3. pp. 487-515
  4. DOI: 10.1353/lit.2018.0028
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  1. Redefining Family in Jennifer Johnston's Foolish Mortals
  2. Mara Reisman
  3. pp. 516-542
  4. DOI: 10.1353/lit.2018.0029
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  1. A Most Copious Digression: An Erasmian Analysis of the Rhetoric of Virginia Woolf's Comments on Letters in Jacob's Room
  2. Phillip Arrington
  3. pp. 543-566
  4. DOI: 10.1353/lit.2018.0030
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  1. Reading the Contemporary Irish Novel 1987–2007 by Liam Harte (review)
  2. Matthew Brown
  3. pp. 567-570
  4. DOI: 10.1353/lit.2018.0031
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  1. Reading America: Citizenship, Democracy, and Cold War Literature by Kristin L. Matthews (review)
  2. Brian K. Goodman
  3. pp. 571-574
  4. DOI: 10.1353/lit.2018.0032
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  1. Twenty-First Century Fiction: What Happens Now eds. by Siȃn Adiseshiah and Rupert Hildyard (review)
  2. Emily Hall
  3. pp. 575-578
  4. DOI: 10.1353/lit.2018.0022
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  1. Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture by Annie McClanahan (review)
  2. Alison Shonkwiler
  3. pp. 579-582
  4. DOI: 10.1353/lit.2018.0023
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