1. Awards
  2. Tony Curtis
  3. pp. 1-2
  4. DOI: 10.1353/nhr.2018.0012
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  1. Nótaí na nEagarthóirí: Editors’ Notes
  2. pp. 5-8
  3. DOI: 10.1353/nhr.2018.0000
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  1. In the Village of the Foreigners
  2. Kieran Quinlan
  3. pp. 9-18
  4. DOI: 10.1353/nhr.2018.0001
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  1. “In the Dawn of a Brighter Day”: Re-presenting the Famine at the Irish International Exhibition of 1853
  2. Elizabeth Meloy
  3. pp. 19-44
  4. DOI: 10.1353/nhr.2018.0002
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  1. Clúdach: Cover
  2. p. 44
  3. DOI: 10.1353/nhr.2018.0013
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  1. Arrived at Last: The Young Women of Elizabeth Cullinan’s Fiction
  2. Beth O’Leary Anish
  3. pp. 45-60
  4. DOI: 10.1353/nhr.2018.0003
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  1. Filíocht Nua: New Poetry
  2. Catherine Ann Cullen
  3. pp. 61-70
  4. DOI: 10.1353/nhr.2018.0004
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  1. “Rubbed-out Men in the Raveled Empire of the Queen”: Transnational Utopianism in The Whereabouts of Eneas McNulty
  2. Jason C. Cash
  3. pp. 71-86
  4. DOI: 10.1353/nhr.2018.0005
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  1. “Looking Back” at Inis Meáin: Alternative Mothering in Synge’s The Aran Islands and Emily Lawless’s Grania
  2. Mollie Kervick
  3. pp. 87-101
  4. DOI: 10.1353/nhr.2018.0006
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  1. Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune
  2. David Clare
  3. pp. 102-119
  4. DOI: 10.1353/nhr.2018.0007
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  1. “In a Position To Be Treated Roughly”: F. R. Higgins in the Abbey Theatre Minute Books
  2. Tricia O’Beirne
  3. pp. 120-134
  4. DOI: 10.1353/nhr.2018.0008
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  1. The Dady Brothers, Irish Music, and the Power of Place in Postwar America
  2. Christopher Shannon
  3. pp. 135-152
  4. DOI: 10.1353/nhr.2018.0009
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  1. Respectability and Reform: Irish American Women’s Activism, 1880–1920 by Tara M. McCarthy (review)
  2. Sally Barr Ebest
  3. pp. 153-156
  4. DOI: 10.1353/nhr.2018.0010
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  1. Laying Out the Bones: Death and Dying in the Modern Irish Novel by Bridget English (review)
  2. Miriam O’Kane Mara
  3. pp. 157-158
  4. DOI: 10.1353/nhr.2018.0011
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