1. Reading the Art of DC-MD
  2. Charles Henry Rowell
  3. pp. 979-982
  4. DOI: 10.1353/cal.2016.0137
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  1. Howard University, the New Negro Movement, and the Making of African American Visual Arts in Washington, DC: Part 1
  2. Howard Dodson
  3. pp. 983-998
  4. DOI: 10.1353/cal.2016.0138
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  1. Elizabeth Catlett
  2. pp. 999-1080
  3. DOI: 10.1353/cal.2016.0139
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  1. James V. Herring
  2. pp. 1009-1083
  3. DOI: 10.1353/cal.2016.0140
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  1. Joshua Johnson
  2. pp. 1012-1090
  3. DOI: 10.1353/cal.2016.0141
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  1. Loïs Mailou Jones
  2. pp. 1017-1101
  3. DOI: 10.1353/cal.2016.0142
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  1. An Interview with Chris Chapman
  2. Charles Henry Rowell
  3. pp. 1033-1041
  4. DOI: 10.1353/cal.2016.0143
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  1. Delilah W. Pierce
  2. pp. 1043-1112
  3. DOI: 10.1353/cal.2016.0144
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  1. Alma W. Thomas
  2. pp. 1043-1132
  3. DOI: 10.1353/cal.2016.0146
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  1. James A. Porter
  2. pp. 1049-1120
  3. DOI: 10.1353/cal.2016.0145
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  1. James L. Wells
  2. pp. 1061-1146
  3. DOI: 10.1353/cal.2016.0147
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  1. Howard University, the New Negro Movement, and the Making of African American Visual Arts in Washington, DC: Part 2
  2. Howard Dodson
  3. pp. 1147-1153
  4. DOI: 10.1353/cal.2016.0148
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  1. Talking Howard University, DC-MD, and Visual Art: A Conversation with Floyd Coleman
  2. Charles Henry Rowell
  3. pp. 1155-1160
  4. DOI: 10.1353/cal.2016.0149
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  1. In Search of Black Art(ists): On James A. Porter's Instructive Misunderstanding of Alain L. Locke
  2. Amir Jaima
  3. pp. 1187-1194
  4. DOI: 10.1353/cal.2016.0152
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  1. James A. Porter & Alain Locke on Race, Culture, and the Making of Art: A Response Essay
  2. Gregory Pardlo
  3. pp. 1195-1197
  4. DOI: 10.1353/cal.2016.0153
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  1. Art Matters: Howard University's Department of Art from 1921 to 1971
  2. Rebecca VanDiver
  3. pp. 1199-1218
  4. DOI: 10.1353/cal.2016.0154
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