1. Editorial Comment
  2. E.J. Westlake
  3. pp. ix-xi
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  1. Shakuntala's Storytellers: Translation and Performance in the Age of World Literature (1789–1912)
  2. Amanda Culp
  3. pp. 133-152
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  1. The Great Traditional/Modern Divide of Regional Chinese Theatrical Genres in the 1950s
  2. Siyuan Liu
  3. pp. 153-172
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  1. "Give it up, Kwang": Disavowing Asian Labor and Queer/Trans of Color Critique in Hedwig and the Angry Inch
  2. Chris A. Eng
  3. pp. 173-193
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  1. Staging Money: Theatre and Immateriality following the 2008 Financial Crisis
  2. Philip Watkinson
  3. pp. 195-208
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  1. Character-World Dialectics on the Contemporary American Stage: Gaming, Role-Playing, and Wrestling with Idioculture
  2. Warren Kluber
  3. pp. 209-227
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  1. Theater Der Welt Festival
  2. Ralf Remshardt
  3. pp. 229-232
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  1. The View Upstairs by Max Vernon, and: Gently Down the Stream by Martin Sherman (review)
  2. Sean F. Edgecomb
  3. pp. 232-236
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  1. Woyzeck in Winter by Conall Morrison (review)
  2. Katie N. Johnson
  3. pp. 236-238
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  1. Ghost Light by Zach Morris (review)
  2. David Bisaha
  3. pp. 238-240
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  1. The Tempest by William Shakespeare (review)
  2. Justin B. Hopkins
  3. pp. 243-245
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  1. King Lear by William Shakespeare (review)
  2. Robert Hubbard
  3. pp. 245-247
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  1. Turquoise by Deb Margolin (review)
  2. Lynn Deboeck
  3. pp. 247-249
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  1. Indecent by Paula Vogel (review)
  2. Jennifer-Scott Mobley
  3. pp. 249-251
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  1. The Talented Ones by Yussef El Guindi (review)
  2. Michael Malek Najjar
  3. pp. 251-253
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  1. Zoot Suit by Luis Valdez (review)
  2. David Ruis Fisher
  3. pp. 253-255
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  1. How to Fight Loneliness by Neil LaBute (review)
  2. Scott C. Knowles
  3. pp. 255-257
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  1. Don Juan in Soho by Patrick Marber (review)
  2. Rebecca Lynn Gavrila
  3. pp. 257-258
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  1. Long Day's Journey into Night by Eugene O'Neill (review)
  2. Maureen McDonnell
  3. pp. 258-260
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  1. A Global Doll's House: Ibsen and Distant Visions by Julie Holledge et al (review)
  2. Antje Budde
  3. pp. 261-262
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  1. Women in the Shadows: Gender, Puppets, and The Power of Tradition in Bali by Jennifer Goodlander (review)
  2. Margaret Coldiron
  3. pp. 262-264
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  1. Susan Glaspell's Poetics and Politics of Rebellion by Emeline Jouve (review)
  2. Aegyung Noh
  3. pp. 264-265
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  1. The Case of The Sexy Jewess: Dance, Gender, and Joke-Work in U.S. Pop Culture by Hannah Schwadron (review)
  2. Grace Kessler Overbeke
  3. pp. 265-267
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  1. Remaking the Comedia: Spanish Classical Theater in Adaptation eds. by Harley Erdman and Susan Paun de García (review)
  2. Maryrica Ortiz Lottman
  3. pp. 268-269
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  1. Performance and Professional Wrestling eds. by Broderick Chow, Eero Laine, and Claire Warden (review)
  2. Peter Kuling
  3. pp. 269-271
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  1. Sharon Pollock: First Woman of Canadian Theatre ed. by Donna Coates (review)
  2. Lynn Deboeck
  3. pp. 271-272
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  1. Understanding John Guare by William W. Demastes (review)
  2. Gene A. Plunka
  3. pp. 272-273
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  1. Improv Nation: How We Made a Great American Art by Sam Wasson (review)
  2. Matt Fotis
  3. pp. 273-275
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  1. Doctoral Projects in Progress in Theatre Arts, 2018
  2. Troy Matthew Lescher, Amy Beltrán, Sammi Stowe
  3. pp. 281-284
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