1. Introduction: Garnering Diversities in Comparative Literature
  2. Jessica Tsui-yan Li
  3. pp. 191-196
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  1. From Here to There: Diversity and Interdisciplinary in the Practice of Comparative Literature
  2. Paul D. Morris
  3. pp. 197-212
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  1. Teaching Literatures in the Age of Digital Media
  2. Eleanor Ty
  3. pp. 213-221
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  1. Art and Ideology in China's Postsocialist Stage Productions of A Doll's House
  2. Kwok-kan Tam
  3. pp. 222-242
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  1. The Veil as National Allegory: Cinema, Visual Arts, and the Epistemological Trope of Fabric
  2. Walid El Khachab
  3. pp. 243-261
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  1. Stalker: Art, communauté, migration (Marche, repas, récit)
  2. Lambert Barthélémy
  3. pp. 262-274
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  1. Faces of the Self in Modern Chinese Literature
  2. Terry Siu-han Yip
  3. pp. 275-289
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  1. Ambiguous Agency: Commercial Surrogacy in Yi Shu's A Complicated Story and Its Film Adaptation
  2. Jessica Tsui-yan Li
  3. pp. 290-299
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  1. Tropical Escapes: Canadian Travellers, Latin America, and Sex
  2. Albert Braz
  3. pp. 300-314
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  1. Winnie Verloc: A Case of "Female Malady" in The Secret Agent
  2. Pouneh Saeedi
  3. pp. 315-327
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  1. Comic Democracies: From Ancient Athens to the American Republic by Angus Fletcher (review)
  2. Robert Danisch
  3. pp. 328-330
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  1. God Mocks: A History of Religious Satire from the Hebrew Prophets to Stephen Colbert by Terry Lindvall (review)
  2. Heather Ladd
  3. pp. 331-334
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  1. Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship by Edlie L. Wong (review)
  2. Lyndsay Campbell
  3. pp. 334-335
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  1. Monstrous Bodies: The Rise of the Uncanny in Modern Japan by Miri Nakamura (review)
  2. Seth Jacobowitz
  3. pp. 336-339
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  1. Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America by Will Norman (review)
  2. Ian Afflerbach
  3. pp. 340-343
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  1. Asian American Media Activism: Fighting for Cultural Citizenship by Lori Kido Lopez (review)
  2. Eleanor Ty
  3. pp. 343-345
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  1. Unclaimed Experience: Trauma, Narrative, and History by Cathy Caruth (review)
  2. Brittany Hirth
  3. pp. 345-348
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