1. Editors' Introduction
  2. Amy L. Blair, James L. Machor
  3. pp. 1-3
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  1. Guest Editors' Introduction
  2. Janet Badia, Steven Alan Carr
  3. pp. 4-7
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  1. Revolutionary Exceptions: Reception of The Godfather Films in Cuba
  2. Pedro Noel Doreste
  3. pp. 8-26
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  1. The Hollow Crown: Quality Television and Colonial Performances
  2. Dan Leberg
  3. pp. 27-49
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  1. The White Meme's Burden: Replication and Adaptation in Twenty-First Century White Supremacist Internet Cultures
  2. Laura Jeffries
  3. pp. 50-73
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  1. Austen's Malleability: Fans, Adaptations, and Value Production
  2. Nicole Peters
  3. pp. 74-95
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  1. Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities by Kristina Busse (review)
  2. Ildi Olasz
  3. pp. 96-98
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  1. Celebrity Audiences eds. by Su Holmes, Sarah Ralph, and Martin Barker (review)
  2. Yung-Hsing Wu
  3. pp. 98-100
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  1. Fans and Fan Cultures: Tourism, Consumerism and Social Media by Henrik Linden and Sara Linden (review)
  2. Mark Bernard
  3. pp. 101-104
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  1. The Making of Jane Austen by Devoney Looser (review)
  2. Sarah Wootton
  3. pp. 104-106
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  1. Good Form: The Ethical Experience of the Victorian Novel by Jesse Rosenthal (review)
  2. Beth Palmer
  3. pp. 106-109
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  1. Spectatorship: Shifting Theories of Gender, Sexuality, and Media eds. by Roxanne Samer and William Whittington (review)
  2. Rhiannon Bury
  3. pp. 109-112
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  1. The Social Life of Books: Reading Together in the Eighteenth-Century Home by Abigail Williams (review)
  2. Stacy Erickson-Pesetski
  3. pp. 112-114
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  1. Reception by Ika Willis (review)
  2. Patrocinio Schweickart
  3. pp. 114-118
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  1. New Books in Audience and Reception Studies
  2. pp. 119-120
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