1. Musical Information in a New Land: Immigrant Music Periodicals in The United States Part Two: 1931–2000
  2. Benjamin Knysak
  3. pp. 543-573
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  1. The Business of Composition: Measuring Economic Relationships At Breitkopf & Härtel, 1798–1838
  2. Derek R. Strykowski
  3. pp. 574-602
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  1. Notes For Notes
  2. Deborah Campana
  3. pp. 603-608
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  1. Instrumentalists and Renaissance Culture, 1420–1600: Players of Function and Fantasy by Victor Coelho and Keith Polk (review)
  2. Michael Eisenberg
  3. pp. 609-611
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  1. Conducting the Brahms Symphonies: From Brahms to Boult by Christopher Dyment (review)
  2. Michael Vaillancourt
  3. pp. 611-614
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  1. Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism by Jeffrey A. Summit (review)
  2. Assaf Shelleg
  3. pp. 614-617
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  1. The Cambridge Companion to Percussion ed. by Russell Hartenberger (review)
  2. Russ Girsberger
  3. pp. 618-620
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  1. Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands by Cameron McGraw (review)
  2. Carol Lubkowski
  3. pp. 620-622
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  1. Guide to the Solo Horn Repertoire by Linda Dempf and Richard Seraphinoff (review)
  2. Scott Stone
  3. pp. 622-624
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  1. Performative Analysis: Reimagining Music Theory for Performance by Jeffrey Swinkin (review)
  2. Daniel Barolsky
  3. pp. 627-630
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  1. Explorations in Schenkerian Analysis ed. by David Beach and Su Yin Mak (review)
  2. Chadwick Jenkins
  3. pp. 630-633
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  1. Schoenberg's Program Notes and Musical Analyses ed. by J. Daniel Jenkins (review)
  2. Bryan R. Simms
  3. pp. 633-635
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  1. Expanding the Horizon of Electroacoustic Music Analysis ed. by Simon Emmerson and Leigh Landy (review)
  2. Joel V. Hunt
  3. pp. 635-639
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  1. La música en el siglo XVII ed. by Álvaro Torrente (review)
  2. Paul R. Laird
  3. pp. 644-647
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  1. The Idea of Art Music in a Commercial World, 1800–1930 ed. by Christina Bashford and Roberta Montemorra Marvin (review)
  2. Julian Onderdonk
  3. pp. 647-650
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  1. British Royal and State Funerals: Music and Ceremonial Since Elizabeth I. by Matthias Range (review)
  2. Jennifer Oates
  3. pp. 650-653
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  1. Music in the Age of Anxiety: American Music in the Fifties by James Wierzbicki (review)
  2. Aaron J. West
  3. pp. 653-656
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  1. Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba by Marc D. Perry (review)
  2. Elizabeth Rosner
  3. pp. 656-658
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  1. The Original Blues: The Emergence of the Blues in African American Vaudeville by Lynn Abbott and Doug Seroff (review)
  2. Edward Komara
  3. pp. 658-661
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  1. Sounding Funny: Sound and Comedy Cinema ed. by Mark Evans and Philip Hayward (review)
  2. Jessica Getman
  3. pp. 661-663
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 664-680
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  1. The Liber Ymnorum of Notker Balbulus ed. by Calvin M. Bower, and: The Liber Ymnorum of Notker Balbulus ed. by Calvin M. Bower (review)
  2. Lance W. Brunner
  3. pp. 681-686
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  1. Claude Debussy: Mélodies (1882–1887) ed. by Marie Rolf (review)
  2. Mark DeVoto
  3. pp. 691-694
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  1. Music Received
  2. Kathleen A. Abromeit
  3. pp. 695-705
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  1. Music Library Association Board of Directors Statement on Net Neutrality
  2. pp. 706-708
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  1. Cumulative Index to Advertisers Volume 74
  2. p. 729
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  1. Index To Volume 74: September 2017 through June 2018
  2. Martin D. Jenkins
  3. pp. 730-737
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