1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: 10.1353/amu.2018.0013
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  1. "You Can't Sing Urtyn Duu If You Don't Know How to Ride a Horse": Urtyn Duu in Alshaa, Inner Mongolia
  2. Oyuna Weina
  3. pp. 4-33
  4. DOI: 10.1353/amu.2018.0014
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  1. Bringing the Music Out, Bringing the Listener In: The Gérong in Javanese Gamelan
  2. Jonathan Roberts
  3. pp. 34-70
  4. DOI: 10.1353/amu.2018.0015
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  1. Ethnic and Village Unity: Symbolized or Enacted? Lahu Music-Dance and Ethnic Participation in Ban Musoe, Thailand
  2. Benjamin Fairfield
  3. pp. 71-105
  4. DOI: 10.1353/amu.2018.0016
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  1. Songs of the Saints: Song Paths and Pilgrimage in London's Tamil Hindu Diaspora
  2. Jasmine Hornabrook
  3. pp. 106-150
  4. DOI: 10.1353/amu.2018.0017
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  1. A Response—Gagaku in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture
  2. Terence Lancashire
  3. pp. 151-157
  4. DOI: 10.1353/amu.2018.0018
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  1. Javanese Gamelan and the West by Sumarsam (review)
  2. Philip Yampolsky
  3. pp. 158-162
  4. DOI: 10.1353/amu.2018.0019
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  1. Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication by Bob van der Linden (review)
  2. Wim van der Meer
  3. pp. 163-165
  4. DOI: 10.1353/amu.2018.0020
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  1. Greeted with Smiles: Bukharian Jewish Music and Musicians in New York by Evan Rapport (review)
  2. Inna Naroditskaya
  3. pp. 166-168
  4. DOI: 10.1353/amu.2018.0021
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  1. A Dictionary of Traditional Japanese Musical Instruments: From Pre-history to the Edo Period by Sumi Gunji and Henry Johnson (review)
  2. Megan E. Hill
  3. pp. 169-171
  4. DOI: 10.1353/amu.2018.0022
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  1. Made in Japan: Studies in Popular Music ed. by Tōru Mitsui (review)
  2. Jennifer Milioto Matsue
  3. pp. 171-175
  4. DOI: 10.1353/amu.2018.0023
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  1. About the Contributors
  3. pp. 176-178
  4. DOI: 10.1353/amu.2018.0024
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