In this Issue

Table of Contents

Introduction

Giada Alessandroni, Sandra Daroczi, Gemma Edney
pp. 1-8
DOI: https://doi.org/10.1353/esp.2018.0015
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Recréer au féminin au lendemain de la Décadence: Variations historiques sur la féminité sacrificielle chez Jean Bertheroy

Marie Kawthar Daouda
pp. 9-22
DOI: https://doi.org/10.1353/esp.2018.0016
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Cinematizing Theatre: Sarah Bernhardt, Gabrielle Réjane, and the Early French Double Feature Film

Victoria Duckett
pp. 23-40
DOI: https://doi.org/10.1353/esp.2018.0017
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Thinking Difference Differently: An Exploration of l'écriture féminine, Women's Art Practice, and Postfeminism

Jacqueline Taylor
pp. 41-55
DOI: https://doi.org/10.1353/esp.2018.0018
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The Creative Powers of the Everyday in Chantal Akerman's Films

Corinne Maury, Daisy May Connon
pp. 56-64
DOI: https://doi.org/10.1353/esp.2018.0019
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Mother and Lover Equals Other: Varda's Mortal Critique of the Feminine as Annex to the Masculine Subject

Kierran Horner
pp. 65-80
DOI: https://doi.org/10.1353/esp.2018.0020
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Creativity and the Feminine: Sexual Politics and Cinematic Aesthetics in Nadia El Fani's Documentary-Making

Marzia Caporale
pp. 81-95
DOI: https://doi.org/10.1353/esp.2018.0021
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Zineb Sedira: De-Colonialism and Creative Acts

Laurel Fredrickson
pp. 96-111
DOI: https://doi.org/10.1353/esp.2018.0022
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"On dirait que c'est honteux de devenir une femme": Narratives of a Girl's First Menses in Maïssa Bey's Bleu blanc vert and Leïla Marouane's La jeune fille et la mère

Maria Tomlinson
pp. 112-125
DOI: https://doi.org/10.1353/esp.2018.0023
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CACAphonie: Humor, the Ludic, and Motherhood in the Words of Slam Poet, RiM

Andrea Jonsson
pp. 126-139
DOI: https://doi.org/10.1353/esp.2018.0024
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Ouvrir la voix by Amandine Gay (review)

Johanna Montlouis-Gabriel
p. 140
DOI: https://doi.org/10.1353/esp.2018.0025
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Un amour de tn: Carnet photographique d'un retour au pays natal après la Révolution by Dora Latiri (review)

Nicola Pearson
pp. 140-141
DOI: https://doi.org/10.1353/esp.2018.0026
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Carnets de l'incarnation: Textes choisis 2002–2015 by Nancy Huston (review)

Polly Galis
pp. 141-142
DOI: https://doi.org/10.1353/esp.2018.0027
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