In this Issue
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor's "Raising the Wind" comments. The goal of the JJQ is simple: to provide an open, lively, and multidisciplinary forum for the international community of Joyce scholars, students, and enthusiasts.
published by
The University of Tulsaviewing issue
Volume 53, Number 3-4, Spring-Summer 2016Table of Contents
- Citation of The James Joyce Archive
- pp. i-ii
- DOI: 10.1353/jjq.2018.0029
- Music, Intermediality, and Shock in Ulysses
- pp. 251-268
- DOI: 10.1353/jjq.2018.0007
- Current JJ Checklist (129)
- pp. 327-337
- DOI: 10.1353/jjq.2018.0011
- Drawings
- pp. 339-340
- DOI: 10.1353/jjq.2018.0012
- The Joyce Girl by Annabel Abbs (review)
- pp. 343-346
- DOI: 10.1353/jjq.2018.0014
- Contributors
- pp. 391-394
- DOI: 10.1353/jjq.2018.0027
- Index
- pp. 399-401
- DOI: 10.1353/jjq.2018.0028
