1. Citation of The James Joyce Archive
  3. pp. i-ii
  4. DOI: 10.1353/jjq.2018.0029
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  1. Interview with Simon O’Connor, Director of the Ulysses Centre*
  3. pp. 187-191
  4. DOI: 10.1353/jjq.2018.0001
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  1. “A Postcard from Zurich”: A Report on the 2017 Zurich James Joyce Foundation Workshop, 30 July – 5 August 2017
  2. Yaeli Greenblatt
  3. pp. 192-195
  4. DOI: 10.1353/jjq.2018.0002
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  1. “Getting Wind of a New Opening”: Joyce in the Digital Age Conference, Columbia University, New York, 1 October 2017
  2. Caleb Derven
  3. pp. 195-199
  4. DOI: 10.1353/jjq.2018.0003
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  1. “Re-Trans-Work”: A Report on the 2017 Zurich James Joyce Foundation Workshop on Joycean Translation Issues Zurich, Switzerland, 5 – 8 October 2017
  2. Flavie Épié
  3. pp. 199-202
  4. DOI: 10.1353/jjq.2018.0004
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  1. Conan Doyle, James Joyce, and the Completion of Ulysses
  2. Thomas Jackson Rice
  3. pp. 203-234
  4. DOI: 10.1353/jjq.2018.0005
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  1. The Joycean Record: Listening Patterns and Sound Coteries
  2. Brandon Walsh
  3. pp. 235-250
  4. DOI: 10.1353/jjq.2018.0006
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  1. Music, Intermediality, and Shock in Ulysses
  2. Judith Paltin
  3. pp. 251-268
  4. DOI: 10.1353/jjq.2018.0007
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  1. Irish-Israelism: Reconsidering the Politics of Race and Belonging in “Cyclops”
  2. Bryan Yazell
  3. pp. 269-285
  4. DOI: 10.1353/jjq.2018.0008
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  1. The Politics and Poetics of the Museum in Ulysses
  2. John Pedro Schwartz
  3. pp. 287-306
  4. DOI: 10.1353/jjq.2018.0009
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  1. The Afflatus of Flatus: James Joyce and the Writing of Odor
  2. Crispian Neill
  3. pp. 307-326
  4. DOI: 10.1353/jjq.2018.0010
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  1. Current JJ Checklist (129)
  2. William S. Brockman
  3. pp. 327-337
  4. DOI: 10.1353/jjq.2018.0011
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  1. Drawings
  2. Robert Berry
  3. pp. 339-340
  4. DOI: 10.1353/jjq.2018.0012
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  1. Anna Livia Oysterface Steps Out
  2. Charlotte Pomerantz
  3. p. 341
  4. DOI: 10.1353/jjq.2018.0013
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  1. The Joyce Girl by Annabel Abbs (review)
  2. Erin Hollis
  3. pp. 343-346
  4. DOI: 10.1353/jjq.2018.0014
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  1. The Value of James Joyce by Margot Norris (review)
  2. Karen R. Lawrence
  3. pp. 346-349
  4. DOI: 10.1353/jjq.2018.0015
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  1. “A Portrait of the Artist as a Young Man”: Digital Multimedia Edition of James Joyce’s 1916 Novel by James Joyce (review)
  2. Janine Utell
  3. pp. 349-352
  4. DOI: 10.1353/jjq.2018.0016
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  1. Joyce/Shakespeare ed. by Laura Pelaschiar (review)
  2. Luke Thurston
  3. pp. 352-355
  4. DOI: 10.1353/jjq.2018.0017
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  1. James Joyce and Catholicism: The Apostate’s “Wake” by Chrissie Van Mierlo (review)
  2. Sam Slote
  3. pp. 355-357
  4. DOI: 10.1353/jjq.2018.0018
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  1. The “Ulysses” Trials: Beauty and Truth Meet the Law by Joseph M. Hassett (review)
  2. Mark McGahon
  3. pp. 358-361
  4. DOI: 10.1353/jjq.2018.0019
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  1. Joyce’s Dante: Exile, Memory, and Community by James Robinson (review)
  2. William Franke
  3. pp. 361-366
  4. DOI: 10.1353/jjq.2018.0020
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  1. James Joyce and Italo Svevo: The Story of a Friendship by Stanley Price (review)
  2. Erik Schneider
  3. pp. 367-370
  4. DOI: 10.1353/jjq.2018.0021
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  1. Up to Maughty London: Joyce’s Cultural Capital in the Imperial Metropolis by Eleni Loukopoulou (review)
  2. Lise Jaillant
  3. pp. 371-373
  4. DOI: 10.1353/jjq.2018.0022
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  1. “Ulysses,” 732: Romanul Romanului by Mircea Mihăieş (review)
  2. Arleen Ionescu
  3. pp. 374-380
  4. DOI: 10.1353/jjq.2018.0023
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  1. Violence Without God: The Rhetorical Despair of Twentieth-Century Writers by Joyce Wexler (review)
  2. Leah Flack
  3. pp. 380-383
  4. DOI: 10.1353/jjq.2018.0024
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  1. The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)
  2. Ruben Borg
  3. pp. 384-387
  4. DOI: 10.1353/jjq.2018.0025
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  1. Written in My Heart: Walks Through James Joyce’s Dublin by Mark Traynor and Emily Carson (review)
  2. Josh Newman
  3. pp. 387-390
  4. DOI: 10.1353/jjq.2018.0026
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  1. Contributors
  3. pp. 391-394
  4. DOI: 10.1353/jjq.2018.0027
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  1. Index
  3. pp. 399-401
  4. DOI: 10.1353/jjq.2018.0028
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