1. Editor’s Note
  2. Phong Nguyen
  3. p. i
  4. DOI: 10.1353/plc.2018.0100
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  1. Fugue, and: Unsigned Letter to My Stillborn Daughter Nine Years Later
  2. Chelsea Dingman
  3. pp. 1-3
  4. DOI: 10.1353/plc.2018.0101
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  1. Psalm, and: Variations
  2. Jean-Paul de Dadelsen, Marilyn Hacker
  3. pp. 4-7
  4. DOI: 10.1353/plc.2018.0102
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  1. A Species Stands Beyond, and: Resuscitation
  2. James Davis May
  3. pp. 8-10
  4. DOI: 10.1353/plc.2018.0103
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  1. It’s terrible what’s happening there
  2. Julie Danho
  3. p. 11
  4. DOI: 10.1353/plc.2018.0104
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  1. Everything Resides in a Name
  2. Artress Bethany White
  3. p. 12
  4. DOI: 10.1353/plc.2018.0105
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  1. Amplitude
  2. Adam Tavel
  3. pp. 13-14
  4. DOI: 10.1353/plc.2018.0106
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  1. At a Dinner Party for White (Wo)men, and: “Mirror, Mirror: Mulatta Seeking Inner Negress”, and: Call Me “Mistress”
  2. Chet’la Sebree
  3. pp. 15-17
  4. DOI: 10.1353/plc.2018.0107
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  1. Drinking in the Company Truck
  2. Taneum Bambrick
  3. p. 18
  4. DOI: 10.1353/plc.2018.0108
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  1. Faith
  2. Gary Fincke
  3. pp. 19-26
  4. DOI: 10.1353/plc.2018.0109
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  1. Peking Click Image, and: Open Office 1, and: Open Office 2, and: Planning Perfect
  2. Jessy Randall
  3. pp. 27-30
  4. DOI: 10.1353/plc.2018.0110
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  1. On Exile and the Nielson Poem: A Translator’s Note, and: Chalk, and: Trumpet, and: Recorder, and: Socks, and: Sardine Can
  2. David Keplinger, Carsten René Nielsen
  3. pp. 31-36
  4. DOI: 10.1353/plc.2018.0111
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  1. Perennial
  2. Shannon Ratliff
  3. pp. 37-39
  4. DOI: 10.1353/plc.2018.0112
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  1. I Didn’t Know You Could Buy, and: Last Night I was Killed by Man
  2. Natalie Scenters-Zapico
  3. pp. 40-41
  4. DOI: 10.1353/plc.2018.0113
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  1. A Guide to Falling Down Stairs
  2. Kyle McCord
  3. pp. 42-43
  4. DOI: 10.1353/plc.2018.0114
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  1. Longing Madrigal, and: Adolescence Madrigal
  2. Lisa Russ Spaar
  3. pp. 44-45
  4. DOI: 10.1353/plc.2018.0115
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  1. Goldfish, and: Gold Donkey
  2. Ted Mathys
  3. pp. 46-49
  4. DOI: 10.1353/plc.2018.0116
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  1. Sonnet with Used Car and Julia Child
  2. Robert Thomas
  3. p. 50
  4. DOI: 10.1353/plc.2018.0117
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  1. On the Fatal Effects of Female Curiosity and Disobedience
  2. Lily Hoang
  3. pp. 51-64
  4. DOI: 10.1353/plc.2018.0118
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  1. Riparian County
  2. Alicia Mountain
  3. pp. 65-66
  4. DOI: 10.1353/plc.2018.0119
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  1. Hair Epoch, and: Architecture of Desire, Gothic Revival Edition
  2. Katie Farris
  3. pp. 67-68
  4. DOI: 10.1353/plc.2018.0120
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  1. Meditation at 6 PM, and: St. Dismas
  2. Sarah Barber
  3. pp. 69-71
  4. DOI: 10.1353/plc.2018.0121
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  1. Ekphrasis for a GIF
  2. Leah Tieger
  3. p. 72
  4. DOI: 10.1353/plc.2018.0122
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  1. First Sonogram
  2. Hyejung Kook
  3. p. 73
  4. DOI: 10.1353/plc.2018.0123
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  1. I Smell the Dirt All Around Me and Above
  2. Christopher Citro
  3. p. 74
  4. DOI: 10.1353/plc.2018.0124
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  1. Explosion
  2. Annette C. Boehm
  3. p. 75
  4. DOI: 10.1353/plc.2018.0125
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  1. Corazón de hierba, and: Heart of Grass, and: Los primeros rayos, and: First Rays of Light, and: Tlacuilo, and: Tlacuilo
  2. Xánath Caraza, Sandra Kingery
  3. pp. 76-81
  4. DOI: 10.1353/plc.2018.0126
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  1. Neo-Pastoral
  2. J. P. Grasser
  3. p. 82
  4. DOI: 10.1353/plc.2018.0127
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  1. Introduction
  2. Amina Gautier
  3. pp. 84-85
  4. DOI: 10.1353/plc.2018.0128
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  1. The Difference Between
  2. Christine Lincoln
  3. pp. 86-88
  4. DOI: 10.1353/plc.2018.0129
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  1. Tongues
  2. Dantiel W. Moniz
  3. pp. 89-92
  4. DOI: 10.1353/plc.2018.0130
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  1. Etymology
  2. Adesuwa Agbonile
  3. pp. 93-100
  4. DOI: 10.1353/plc.2018.0131
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  1. Middling
  2. LaTanya McQueen
  3. pp. 101-108
  4. DOI: 10.1353/plc.2018.0132
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  1. Quetzalcoatl
  2. Rafael Gonzalez
  3. p. 109
  4. DOI: 10.1353/plc.2018.0133
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  1. Object and Experience, and: The Idiot Box
  2. Elizabeth A. I. Powell
  3. pp. 110-111
  4. DOI: 10.1353/plc.2018.0134
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  1. Frenzy of Exultations
  2. Alicia Marie Brandewie
  3. pp. 112-113
  4. DOI: 10.1353/plc.2018.0135
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  1. Dollhouse
  2. Corinna McClanahan Schroeder
  3. p. 114
  4. DOI: 10.1353/plc.2018.0136
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  1. Science Fiction: A Love Poem
  2. Erin Hoover
  3. pp. 115-116
  4. DOI: 10.1353/plc.2018.0137
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  1. As Plants
  2. Jennifer Perrine
  3. p. 117
  4. DOI: 10.1353/plc.2018.0138
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  1. Nocturne
  2. Alyse Bensel
  3. p. 118
  4. DOI: 10.1353/plc.2018.0139
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  1. New Neighbors
  2. Chelsea B. DesAutels
  3. p. 119
  4. DOI: 10.1353/plc.2018.0140
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  1. The Tinderbox
  2. Tolu Oloruntoba
  3. p. 120
  4. DOI: 10.1353/plc.2018.0141
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  1. Introduction
  2. Phong Nguyen
  3. p. 122
  4. DOI: 10.1353/plc.2018.0142
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  1. Introducing Tess Allard
  2. Kent Corbin
  3. p. 123
  4. DOI: 10.1353/plc.2018.0190
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  1. The Thylacine
  2. Tess Allard
  3. pp. 124-130
  4. DOI: 10.1353/plc.2018.0143
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  1. Introducing Drew McCutchen
  2. Barbara Diehl
  3. p. 131
  4. DOI: 10.1353/plc.2018.0191
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  1. The Falling Out
  2. Drew McCutchen
  3. pp. 132-139
  4. DOI: 10.1353/plc.2018.0144
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  1. Introducing Emma Binder
  2. Davis Allen
  3. p. 140
  4. DOI: 10.1353/plc.2018.0192
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  1. Hark, Sister, Have Ye Struck the Brook?
  2. Emma Binder
  3. pp. 141-148
  4. DOI: 10.1353/plc.2018.0145
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  1. Introducing Michael Hopkins
  2. Abby Frucht
  3. p. 149
  4. DOI: 10.1353/plc.2018.0193
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  1. Full Count
  2. Michael Hopkins
  3. pp. 150-161
  4. DOI: 10.1353/plc.2018.0146
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  1. Confession, Revisited
  2. John Allen Taylor
  3. p. 162
  4. DOI: 10.1353/plc.2018.0147
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  1. Calling Things What They Are
  2. Michael Bazzett
  3. p. 163
  4. DOI: 10.1353/plc.2018.0148
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  1. In Transition
  2. R. Cassandra Bruner
  3. p. 164
  4. DOI: 10.1353/plc.2018.0149
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  1. Visiting My Sister in the Adolescent Ward, and: Glass Forest
  2. Lucien Darjeun Meadows
  3. pp. 165-166
  4. DOI: 10.1353/plc.2018.0150
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  1. Wanting Something You Can Have
  2. Mary Terrier
  3. pp. 167-173
  4. DOI: 10.1353/plc.2018.0151
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  1. Self Portrait with Stained Glass and Feathers
  2. Susan Rich
  3. p. 174
  4. DOI: 10.1353/plc.2018.0152
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  1. Contributor’s Notes
  3. pp. 175-176
  4. DOI: 10.1353/plc.2018.0153
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