1. The Specter of Infanticide in Herman Melville’s Billy Budd, Sailor
  2. Emer Vaughn
  3. pp. 181-204
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  1. Collapsing the Absolute: Early Celan and the Post-Romantic Strangeness
  2. Feng Dong
  3. pp. 205-224
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  1. Clarice Lispector on Jewishness after the Shoah: A Reading of “Perdoando Deus”
  2. Sebastian Musch, Bieke Willem
  3. pp. 225-238
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  1. Two Decades after the Publication of Monika Fludernik’s Towards a ‘Natural’ Narratology: Introduction to the Forum
  2. John Pier
  3. pp. 239-242
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  1. Naturalization in “Natural” Narratology
  2. Jonathan Culler
  3. pp. 243-249
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  1. Against Nature
  2. Brian McHale
  3. pp. 251-261
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  1. Two Conceptions of Experientiality and Narrativity: Functions, Advantages, and Disadvantages
  2. Dan Shen
  3. pp. 263-270
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  1. Toward the Non-Natural: Diachronicity and the Trained Reader in Fludernik’s Natural Narratology
  2. Maria Mäkelä
  3. pp. 271-277
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  1. More than Minds: Experience, Narrative, and Plot
  2. Jonas Grethlein
  3. pp. 279-290
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  1. The Curse of Realism: Cognitive Narratology and the Historical Dimension
  2. Karin Kukkonen
  3. pp. 291-302
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  1. Posthuman Narration as a Test Bed for Experientiality: The Case of Kurt Vonnegut’s Galápagos
  2. Marco Caracciolo
  3. pp. 303-314
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  1. Experience, Affect, and Literary Lists
  2. Eva von Contzen
  3. pp. 315-327
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  1. Towards a ‘Natural’ Narratology Twenty Years After
  2. Monika Fludernik
  3. pp. 329-347
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  1. The Work of Difference: Modernism, Romanticism, and the Production of Literary Form by Audrey Wasser (review)
  2. Zachary Hayworth
  3. pp. 349-352
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  1. Literature as Dialogue: Invitations Offered and Negotiated ed. by Roger D. Sell (review)
  2. Jarmila Mildorf
  3. pp. 353-356
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