1. Music as Queering in E. M. Forster's 'Goldsworthy Lowes Dickinson'
  2. Tsung-Han Tsai
  3. pp. 1-15
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  1. The Enchanting Music of Blades and Bullets: Visions of Violence in Janáčcek's World-War Symphonic Poems
  2. Geoffrey Chew
  3. pp. 16-44
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  1. Bridge and Britten, Britten and Bridge
  2. Christopher Mark
  3. pp. 45-73
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  1. 'Ordo AB Chao': The Fugue As Chaos In The Early Twentieth Century
  2. Yoel Greenberg
  3. pp. 74-103
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  1. Ritratto di Gaffurio ed. by Davide Daolmi (review)
  2. Bonnie J. Blackburn
  3. pp. 104-107
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  1. Cipriano de Rore: New Perspectives on his Life and Music ed. by Jessie Ann Owens and Katelijne Schiltz (review)
  2. Christian Thomas Leitmeir
  3. pp. 107-110
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  1. Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and their Music by Jonathan E. Glixon (review)
  2. Michael Talbot
  3. pp. 110-112
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  1. Shakespeare, Music and Performance ed. by Bill Barclay and David Lindley (review)
  2. Christopher R. Wilson
  3. pp. 112-115
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  1. Songs without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760 ed. by Sandra Mangsen (review)
  2. R. H.
  3. pp. 115-118
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  1. Musicians' Mobilities and Music Migrations in Early Modern Europe: Biographical Patterns and Cultural Exchanges ed. by Gesa zur Nieden and Berthold Over (review)
  2. Samantha Owens
  3. pp. 119-121
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  1. Dance and Drama in French Baroque Opera: A History by Rebecca Harris-Warrick (review)
  2. Blake Stevens
  3. pp. 121-124
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  1. Musical Debate and Political Culture in France 1700–1830 by R. J. Arnold (review)
  2. Rebecca Dowd Geoffroy-Schwinden
  3. pp. 124-126
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  1. Haydn's Sunrise, Beethoven's Shadow: Audiovisual Culture and the Emergence of Musical Romanticism by Deirdre Loughridge (review)
  2. Carmel Raz
  3. pp. 126-128
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  1. Schubert's Mature Instrumental Music: A Theorist's Perspective by David Beach (review)
  2. Christopher Tarrant
  3. pp. 128-130
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  1. Explorations in Schenkerian Analysis ed. by David Beach and Su Yin Mak (review)
  2. John Koslovsky
  3. pp. 130-133
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  1. Manon Lescaut, Dramma lirico in Quattro atti by Giacomo Puccini (review)
  2. Steven Huebner
  3. pp. 133-136
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  1. Ernest Bloch Studies ed. by Alexander Knapp and Norman Solomon (review)
  2. Peter Tregear
  3. pp. 136-138
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  1. The Elocutionists: Women, Music, and the Spoken Word by Marian Wilson Kimber (review)
  2. Lodewijk Muns
  3. pp. 138-140
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  1. Duke Ellington Studies ed. by John Howland (review)
  2. Mervyn Cooke
  3. pp. 141-142
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  1. The Oxford Handbook of Children's Musical Cultures ed. by Patricia Shehan Campbell and Trevor Wiggins (review)
  2. Sarah Tomlinson
  3. pp. 143-145
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  1. Musical Encounters with Deleuze and Guattari ed. by Pirkko Moisala et al. (review)
  2. Iain Campbell
  3. pp. 145-148
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  1. Just Vibrations: The Purpose of Sounding Good by William Cheng (review)
  2. Kyle Devine
  3. pp. 148-150
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  1. Recipients Of 'Music & Letters' Awards
  3. p. 151
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  1. 'Music & Letters' Centenary Prize Competition
  3. p. 154
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  1. 'Music & Letters' Awards
  3. p. 154
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  1. Authors of Articles in this Issue
  3. pp. 154-155
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  1. Books Received
  3. pp. 156-158
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