In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
45 (Volume 15, Number 3), 2000Table of Contents
pp. 34-69
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View "Wish We Didn't Have to Meet Secretly?": Negotiating Contemporary Space in the Lesbian-Bar Documentary
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"Wish We Didn't Have to Meet Secretly?": Negotiating Contemporary Space in the Lesbian-Bar Documentary
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pp. 70-113
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View Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the Case-History Genre
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Pressure Points: Political Psychology, Screen Adaptation, and the Management of Racism in the Case-History Genre
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pp. 115-149
pp. 150-193
pp. 194-225
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| ISSN | 1529-1510 |
|---|---|
| Print ISSN | 0270-5346 |
| Launched on MUSE | 2000-09-01 |
| Open Access | No |
| Archive Status | Archived 2005 |
