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Table of Contents

  1. Loneliness: Black Gay Longing in the Work of Essex Hemphill
  2. Darius Bost
  3. pp. 353-374
  4. DOI: https://doi.org/10.13110/criticism.59.3.0353
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  1. Oceania's Totalitarian Technology: Writing in Nineteen Eighty-Four
  2. Tony E. Jackson
  3. pp. 375-393
  4. DOI: https://doi.org/10.13110/criticism.59.3.0375
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  1. "Not the Usual Pattern": James Baldwin, Homosexuality, and the DSM
  2. Cynthia Barounis
  3. pp. 395-415
  4. DOI: https://doi.org/10.13110/criticism.59.3.0395
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  1. Vehicles of Periodization: Melvin B. Tolson, Allen Tate, and the New Critical Police
  2. Andy Hines
  3. pp. 417-439
  4. DOI: https://doi.org/10.13110/criticism.59.3.0417
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  1. Masturbation and Physiological Romance in Teleny
  2. Benjamin Bagocius
  3. pp. 441-467
  4. DOI: https://doi.org/10.13110/criticism.59.3.0441
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  1. The Still, Sad Music of Humanity in Doom Metal's Romanticizing Machine
  2. Atene Mendelyte
  3. pp. 469-489
  4. DOI: https://doi.org/10.13110/criticism.59.3.0469
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  1. Literature in the Key (and Time) of Science
  2. Miles P. Grier
  3. pp. 491-494
  4. DOI: https://doi.org/10.13110/criticism.59.3.0491
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  1. The Sepulchres of the Fathers Revisited
  2. Sarah Dennis
  3. pp. 495-499
  4. DOI: https://doi.org/10.13110/criticism.59.3.0495
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  1. Undoing the Form/Matter Divide in Avant-Garde American Poetics
  2. Mayumo Inoue
  3. pp. 501-505
  4. DOI: https://doi.org/10.13110/criticism.59.3.0501
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  1. Enough about adaptation: Let's talk about adapting
  2. Thomas Leitch
  3. pp. 507-510
  4. DOI: https://doi.org/10.13110/criticism.59.3.0507
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