1. Enlightenment beyond Teleology: Religious Familiality and the Fundamental Gift in G.E. Lessing
  2. Jeffrey S. Librett
  3. pp. 235-251
  4. DOI: 10.1353/gsr.2018.0053
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  1. Reflecting and Performing Selves: The Fate of Recognition in Kleist's Penthesilea
  2. Ellwood Wiggins
  3. pp. 253-274
  4. DOI: 10.1353/gsr.2018.0054
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  1. From Georg Simmel to Stefan George: Sexology, Male Bonding, and Homosexuality
  2. Max Kramer
  3. pp. 275-295
  4. DOI: 10.1353/gsr.2018.0055
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  1. Intersections of Money, Debt, and Uncertainty in Rabinovici's Suche nach M
  2. William H. Carter
  3. pp. 297-314
  4. DOI: 10.1353/gsr.2018.0056
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  1. The Motif of the Gaze (Blick) in Thomas Mann's Der Tod in Venedig and Wagner's Tristan und Isolde
  2. William A. Kinderman
  3. pp. 315-333
  4. DOI: 10.1353/gsr.2018.0057
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  1. The Case of a German-Jewish Lesbian Woman: Martha Mosse and the Danger of Standing Out
  2. Javier Samper Vendrell
  3. pp. 335-353
  4. DOI: 10.1353/gsr.2018.0058
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  1. Taming Foreign Speech: Language Politics in Shadow Plays around 1800
  2. Bettina Brandt
  3. pp. 355-372
  4. DOI: 10.1353/gsr.2018.0059
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  1. You Need Only to Change Your Direction: New Works on Kafka
  2. Abigail Gillman
  3. pp. 373-382
  4. DOI: 10.1353/gsr.2018.0060
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  1. TransArea: A Literary History of Globalization by Ottmar Ette (review)
  2. Caroline Schaumann
  3. pp. 383-384
  4. DOI: 10.1353/gsr.2018.0062
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  1. Figures of Natality: Reading the Political in the Age of Goethe by Joseph O'Neil (review)
  2. Sarah V. Eldridge
  3. pp. 386-389
  4. DOI: 10.1353/gsr.2018.0064
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  1. Humboldt's Mexico: In the Footsteps of the Illustrious German Scientific Traveller by Myron Echenberg (review)
  2. Ulrike Leitner
  3. pp. 389-392
  4. DOI: 10.1353/gsr.2018.0065
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  1. Bavarian Tourism and the Modern World, 1800–1950 by Adam T. Rosenbaum (review)
  2. Andrew Denning
  3. pp. 392-394
  4. DOI: 10.1353/gsr.2018.0066
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  1. Music into Fiction: Composers Writing, Compositions Imitated by Theodore Ziolkowski (review)
  2. Emily Gauld
  3. pp. 394-396
  4. DOI: 10.1353/gsr.2018.0067
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  1. Metamorphosis in Modern German Literature: Transforming Bodies, Identities, and Affects by Tara Beaney (review)
  2. Tanja Nusser
  3. pp. 396-398
  4. DOI: 10.1353/gsr.2018.0068
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  1. Photography and Germany by Andrés Mario Zervigón (review)
  2. Pepper Stetler
  3. pp. 398-400
  4. DOI: 10.1353/gsr.2018.0069
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  1. The Transatlantic Kindergarten: Education and Women's Movements in Germany and the United States by Ann Taylor Allen (review)
  2. Nisrine Rahal
  3. pp. 400-402
  4. DOI: 10.1353/gsr.2018.0070
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  1. Through the Lion Gate: A History of the Berlin Zoo by Gary Bruce (review)
  2. Nigel Rothfels
  3. pp. 402-403
  4. DOI: 10.1353/gsr.2018.0071
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  1. The Trial of Gustav Graef: Art, Sex, and Scandal in Late Nineteenth-Century Germany by Barnet Hartston (review)
  2. Marti Lybeck
  3. pp. 403-405
  4. DOI: 10.1353/gsr.2018.0072
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  1. The Promise of Cinema: German Film Theory 1907–1933 eds. by Anton Kaes, Nicholas Baer, and Michael Cowan (review)
  2. Thomas O. Haakenson
  3. pp. 405-407
  4. DOI: 10.1353/gsr.2018.0073
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  1. Body Modern: Fritz Kahn, Scientific Illustration, and the Homuncular Subject by Michael Sappol (review)
  2. H. Camilla Smith
  3. pp. 407-409
  4. DOI: 10.1353/gsr.2018.0074
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  1. A Deadly Legacy: German Jews and the Great War by Tim Grady (review)
  2. Michael Geheran
  3. pp. 410-412
  4. DOI: 10.1353/gsr.2018.0075
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  1. Inheriting Walter Benjamin by Gerhard Richter, and: Postsecular Benjamin: Agency and Tradition by Brian Britt (review)
  2. Jason Groves
  3. pp. 416-418
  4. DOI: 10.1353/gsr.2018.0078
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  1. Ethnic Germans and National Socialism in Yugoslavia in World War II by Mirna Zakic (review)
  2. Mirna Zakic
  3. pp. 422-424
  4. DOI: 10.1353/gsr.2018.0081
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  1. Humanitarians at War: The Red Cross in the Shadow of the Holocaust by Gerald Steinacher (review)
  2. Edward B. Westermann
  3. pp. 424-426
  4. DOI: 10.1353/gsr.2018.0082
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  1. Max Beckmann at the Saint Louis Art Museum: The Paintings by Lynette Roth (review)
  2. Sydney Norton
  3. pp. 426-428
  4. DOI: 10.1353/gsr.2018.0083
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  1. Willy Ley: Prophet of the Space Age by Jared S. Buss (review)
  2. Monique Laney
  3. pp. 429-430
  4. DOI: 10.1353/gsr.2018.0084
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  1. Heiner Müller's Democratic Theater: The Politics of Making the Audience Work by Michael Wood (review)
  2. Noah Soltau
  3. pp. 431-432
  4. DOI: 10.1353/gsr.2018.0085
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  1. Demolition on Karl Marx Square: Cultural Barbarism and the People's State in 1968 by Andrew Demshuk (review)
  2. Samuel L. Sadow
  3. pp. 432-434
  4. DOI: 10.1353/gsr.2018.0086
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  1. German Pop Music: A Companion ed. by Uwe Schütte (review)
  2. Jeff Hayton
  3. pp. 437-439
  4. DOI: 10.1353/gsr.2018.0088
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  1. Performing Unification: History and Nation in German Theater after 1989 by Matt Cornish (review)
  2. Katrin Sieg
  3. pp. 442-444
  4. DOI: 10.1353/gsr.2018.0046
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  1. What Remains: Everyday Encounters with the Socialist Past in Germany by Jonathan Bach (review)
  2. Kyrill Kunakhovich
  3. pp. 445-446
  4. DOI: 10.1353/gsr.2018.0047
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  1. Cognitive Approaches to German Historical Film: Seeing is Not Believing by Jennifer Marston William (review)
  2. Noah Soltau
  3. pp. 446-448
  4. DOI: 10.1353/gsr.2018.0048
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  1. Civil Society and Memory in Postwar Germany by Jenny Wüstenberg (review)
  2. Klaus Neumann
  3. pp. 448-450
  4. DOI: 10.1353/gsr.2018.0049
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  1. Reply to James McFarland's review of "Red Kant: Aesthetics, Marxism and the Third Critique" German Studies Review (review)
  2. Mike Wayne
  3. pp. 452-454
  4. DOI: 10.1353/gsr.2018.0051
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  1. Contributors
  2. p. 455
  3. DOI: 10.1353/gsr.2018.0052
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