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In this Issue

Table of Contents

  1. Images
  3. pp. i-ii
  4. restricted access
  1. Conforming Line
  2. Naomi Elena Ramírez
  3. pp. 2-3
  4. restricted access
  1. The Laboratory Instinct
  2. Eugenio Barba, Judy Barba
  3. pp. 8-14
  4. restricted access
  1. TDR Announcement
  2. Richard Schechner, Mariellen Sandford, Sara Brady
  3. p. 15
  4. restricted access
  1. Correction
  3. p. 15
  4. restricted access
  1. The Politics of National Theatre: The Example of Kenya
  2. Ngũgĩ wa Thiong’o
  3. pp. 16-21
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  1. Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention
  2. Claire Bishop
  3. pp. 22-42
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  1. The Performative Novel
  2. Barbara Browning
  3. pp. 43-58
  4. restricted access
  1. Queer Tango Space: Minority Stress, Sexual Potentiality, and Gender Utopias
  2. Juliet McMains
  3. pp. 59-77
  4. restricted access
  1. The Muslims Present Orgena
  2. Geoffrey Lokke
  3. pp. 78-96
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  1. “This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
  2. Benjamin Halligan
  3. pp. 97-114
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  1. Act Like Jackie Chan: The Cinematic Legacy of Jingju Training Schools in Hong Kong
  2. Pui-Lun Chan
  3. pp. 115-129
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  1. Virtual Love: Yehuda Duenyas’s CVRTAIN
  2. Katherine Biers
  3. pp. 130-136
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  1. Space for “Speculative Friendships”: Keith Hennessy and Jassem Hindi’s future friend/ships
  2. Robert Avila
  3. pp. 136-143
  4. restricted access
  1. Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
  2. Hope Mohr, Larry Arrington, Gerald Casel, Gregory Dawson, Peiling Kao, Xandra Ibarra, Margo Moritz
  3. pp. 143-150
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  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. Julia H. Fawcett
  3. pp. 151-153
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  1. The Penelope Project: An Arts-Based Odyssey to Change Elder Care ed. by Anne Basting, Maureen Towey, and Ellie Rose (review)
  2. Sonja Arsham Kuftinec
  3. pp. 153-155
  4. restricted access
  1. Blacktino Queer Performance ed. by E. Patrick Johnson and Ramón H. Rivera-Servera (review)
  2. Nevarez Encinias
  3. pp. 155-157
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  1. Long Suffering: American Endurance Art as Prophetic Witness by Karen Gonzalez Rice (review)
  2. Joyce Lu
  3. pp. 157-159
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  1. Debt to Society: Accounting for Life under Capitalism by Miranda Joseph, and: Knowledge Ltd: Toward a Social Logic of the Derivative by Randy Martin (review)
  2. Tavia Nyong’o
  3. pp. 159-162
  4. restricted access
  1. A History of Japanese Theatre ed. by Jonah Salz, and: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki, and: Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
  2. William D. Fleming
  3. pp. 163-167
  4. restricted access
  1. Sound: An Acoulogical Treatise by Michel Chion, and: Sensing Sound: Singing and Listening as Vibrational Practice by Nina Sun Eidsheim (review)
  2. Shayna Silverstein
  3. pp. 168-171
  4. restricted access
  1. Interdisciplinary Performance: Reformatting Reality by Natasha Lushetich, and: Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson, and: In Place of a Show: What Happens Inside Theatres When Nothing Is Happening by Augusto Corrieri, and: A Rasa Reader: Classical Indian Aesthetics by Sheldon Pollock, and: Beckett’s Creatures: Art of Failure After the Holocaust by Joseph Anderton, and: 1616: Shakespeare and Tang Xianzu’s China ed. by Tian Yuan Tan, Paul Edmondson, and Shih-Pe Wang (review)
  2. Sean Bartley
  3. pp. 172-174
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  1. Donald Trump Shoots the Match
  2. Sharon Mazer
  3. pp. 175-200
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  1. Working Loose: A Response to “Donald Trump Shoots the Match” by Sharon Mazer
  2. Claire Warden, Broderick Chow, Eero Laine
  3. pp. 201-215
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  1. Sharon Mazer Responds to Warden, Chow, and Laine
  3. pp. 216-219
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