In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 62, Number 2, Summer 2018 (T238)Table of Contents
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View “This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
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“This Is Father Berrigan Speaking from the Underground”: Daniel Berrigan SJ and the Conception of a Radical Theatre
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View Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
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Choreographic Transmission in an Expanded Field: Reflections on “Ten Artists Respond to Trisha Brown’s Locus”
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View The Penelope Project: An Arts-Based Odyssey to Change Elder Care ed. by Anne Basting, Maureen Towey, and Ellie Rose (review)
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The Penelope Project: An Arts-Based Odyssey to Change Elder Care ed. by Anne Basting, Maureen Towey, and Ellie Rose (review)
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View Debt to Society: Accounting for Life under Capitalism by Miranda Joseph, and: Knowledge Ltd: Toward a Social Logic of the Derivative by Randy Martin (review)
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Debt to Society: Accounting for Life under Capitalism by Miranda Joseph, and: Knowledge Ltd: Toward a Social Logic of the Derivative by Randy Martin (review)
- Save Debt to Society: Accounting for Life under Capitalism by Miranda Joseph, and: Knowledge Ltd: Toward a Social Logic of the Derivative by Randy Martin (review)
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View A History of Japanese Theatre ed. by Jonah Salz, and: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki, and: Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
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A History of Japanese Theatre ed. by Jonah Salz, and: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki, and: Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
- Save A History of Japanese Theatre ed. by Jonah Salz, and: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki, and: Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka (review)
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View Sound: An Acoulogical Treatise by Michel Chion, and: Sensing Sound: Singing and Listening as Vibrational Practice by Nina Sun Eidsheim (review)
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Sound: An Acoulogical Treatise by Michel Chion, and: Sensing Sound: Singing and Listening as Vibrational Practice by Nina Sun Eidsheim (review)
- Save Sound: An Acoulogical Treatise by Michel Chion, and: Sensing Sound: Singing and Listening as Vibrational Practice by Nina Sun Eidsheim (review)
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View Interdisciplinary Performance: Reformatting Reality by Natasha Lushetich, and: Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson, and: In Place of a Show: What Happens Inside Theatres When Nothing Is Happening by Augusto Corrieri, and: A Rasa Reader: Classical Indian Aesthetics by Sheldon Pollock, and: Beckett’s Creatures: Art of Failure After the Holocaust by Joseph Anderton, and: 1616: Shakespeare and Tang Xianzu’s China ed. by Tian Yuan Tan, Paul Edmondson, and Shih-Pe Wang (review)
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Interdisciplinary Performance: Reformatting Reality by Natasha Lushetich, and: Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson, and: In Place of a Show: What Happens Inside Theatres When Nothing Is Happening by Augusto Corrieri, and: A Rasa Reader: Classical Indian Aesthetics by Sheldon Pollock, and: Beckett’s Creatures: Art of Failure After the Holocaust by Joseph Anderton, and: 1616: Shakespeare and Tang Xianzu’s China ed. by Tian Yuan Tan, Paul Edmondson, and Shih-Pe Wang (review)
- Save Interdisciplinary Performance: Reformatting Reality by Natasha Lushetich, and: Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson, and: In Place of a Show: What Happens Inside Theatres When Nothing Is Happening by Augusto Corrieri, and: A Rasa Reader: Classical Indian Aesthetics by Sheldon Pollock, and: Beckett’s Creatures: Art of Failure After the Holocaust by Joseph Anderton, and: 1616: Shakespeare and Tang Xianzu’s China ed. by Tian Yuan Tan, Paul Edmondson, and Shih-Pe Wang (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2018-05-26 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.




