1. Noise and Arnold Schoenberg’s 1913 Scandal Concert
  2. Joy H. Calico
  3. pp. 29-55
  4. DOI: 10.1353/oas.2017.0038
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  1. The Avant-Garde Sprachkritik of Paul Hatvani: Mysticism, Eroticism, and Heterodox Religious Experience
  2. Sami Sjöberg
  3. pp. 57-78
  4. DOI: 10.1353/oas.2017.0039
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  1. Das Marterkapital meiner Herkunft: Economic Narrative in Thomas Bernhard’s Korrektur
  2. Eyal Amiran
  3. pp. 99-119
  4. DOI: 10.1353/oas.2017.0041
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  1. Violent Sensations: Sex, Crime, and Utopia in Vienna and Berlin, 1860–1914 by Scott Spector (review)
  2. Cynthia A. Klima
  3. pp. 121-123
  4. DOI: 10.1353/oas.2017.0042
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  1. Kafka and the Universal ed. by Arthur Cools and Vivian Liska (review)
  2. Ruth V. Gross
  3. pp. 128-130
  4. DOI: 10.1353/oas.2017.0045
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  1. Egon Erwin Kischs “Marktplatz der Sensationen”. Ein semiautobiografisches Debüt im Exil by Ulrike Robeck (review)
  2. Martin A. Hainz
  3. pp. 133-135
  4. DOI: 10.1353/oas.2017.0047
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  1. Robert Musil Handbuch ed. by Birgit Nübel and Norbert Christian Wolf (review)
  2. Birthe Hoffmann
  3. pp. 135-138
  4. DOI: 10.1353/oas.2017.0048
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  1. Drama als Störung: Elfriede Jelineks Konzept des Sekundärdramas by Teresa Kovacs (review)
  2. Britta Kallin
  3. pp. 143-146
  4. DOI: 10.1353/oas.2017.0051
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  1. Studien zur österreichischen Literatur: Von Nestroy bis Ransmayr by Gabriella Rovagnati (review)
  2. Cynthia A. Klima
  3. pp. 146-148
  4. DOI: 10.1353/oas.2017.0052
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  1. Fallgeschichte(n) als Narrativ zwischen Literatur und Wissen ed. by Thomas Wegmann and Martina King (review)
  2. Martin A. Hainz
  3. pp. 151-153
  4. DOI: 10.1353/oas.2017.0054
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  1. Bio-Bibliographisches Lexikon der Literatur Österreichs ed. by Herbert Zeman (review)
  2. Vincent Kling
  3. pp. 153-155
  4. DOI: 10.1353/oas.2017.0055
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  1. Three Tearless Histories by Erich Hackl (review)
  2. Francis Michael Sharp
  3. pp. 156-158
  4. DOI: 10.1353/oas.2017.0056
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  1. Music in Vienna, 1700, 1800, 1900 by David Wyn Jones (review)
  2. Peter Höyng
  3. pp. 159-161
  4. DOI: 10.1353/oas.2017.0057
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  1. Die Frau des Weisen: Historisch-kritische Ausgabe by Arthur Schnitzler (review)
  2. Raymond L. Burt
  3. pp. 161-163
  4. DOI: 10.1353/oas.2017.0058
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  1. Tropics of Vienna: Colonial Utopias of the Habsburg Empire by Ulrich E. Bach (review)
  2. Gundolf Graml
  3. pp. 164-166
  4. DOI: 10.1353/oas.2017.0059
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  1. Ernst Lothar: Schriftsteller, Kritiker, Theaterschaffender by Dagmar Heissler (review)
  2. Joseph McVeigh
  3. pp. 171-173
  4. DOI: 10.1353/oas.2017.0062
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  1. “Mountain of Destiny”: Nanga Parbat and Its Path into the German Imagination by Harold Höbusch (review)
  2. Samuel J. Kessler
  3. pp. 173-175
  4. DOI: 10.1353/oas.2017.0063
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  1. Drehe die Herzspindel weiter für mich: Christine Lavant zum 100 ed. by Klaus Amann, Fabjan Hafner, and Doris Moser (review)
  2. Lorely French
  3. pp. 175-178
  4. DOI: 10.1353/oas.2017.0064
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  1. Doderer-Lektüren: Die Romane nach 1945, neu gelesen by Stefan Winterstein (review)
  2. Vincent Kling
  3. pp. 178-180
  4. DOI: 10.1353/oas.2017.0065
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  1. Vienna’s Dreams of Europe by Katherine Arens (review)
  2. Traci S. O’Brien
  3. pp. 183-185
  4. DOI: 10.1353/oas.2017.0067
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  1. Austrian Studies Today ed. by Günter Bischof and Ferdinand Karlhofer (review)
  2. Britta McEwen
  3. pp. 186-187
  4. DOI: 10.1353/oas.2017.0068
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  1. Theaterdramaturgien von der Aufklärung bis zur Gegenwart by Evelyn Deutsch-Schreiner (review)
  2. Dagmar C. G. Lorenz
  3. pp. 188-190
  4. DOI: 10.1353/oas.2017.0069
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  1. The Greater Hope by Ilse Aichinger (review)
  2. Kirsten A. Krick-Aigner
  3. pp. 190-192
  4. DOI: 10.1353/oas.2017.0070
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