1. Narrative Rhyme and the Good Life
  2. John E. MacKinnon
  3. pp. 1-29
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  1. The Artist as Prophet: Emerson's Thoughts on Art
  2. Jeff Wieand
  3. pp. 30-48
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  1. Oscar Wilde on the Theory of the Author
  2. Andrea Selleri
  3. pp. 49-66
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  1. Mapping the Literary Text: Spatio-Cultural Theory and Practice
  2. Bill Richardson
  3. pp. 67-80
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  1. Resisting the Habit of Tlön: Whitehead, Borges, and the Fictional Nature of Concepts
  2. Michael L. Thomas
  3. pp. 81-96
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  1. Murder and Midwifery: Metaphor in the Theaetetus
  2. Madeline Martin-Seaver
  3. pp. 97-111
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  1. The Merry Sufferer: Authentic Being in Samuel Beckett's Happy Days
  2. Ivan Nyusztay
  3. pp. 112-124
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  1. The Character of Huckleberry Finn
  2. Kristina Gehrman
  3. pp. 125-144
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  1. The Art of "Reading-To" and the Post-Holocaust Suicide in Schlink's The Reader
  2. Michael Lackey
  3. pp. 145-164
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  1. Flannery O'Connor's Mrs. Turpin, Hannah Arendt's Adolf Eichmann, and Dreams of Boxcars
  2. Jennifer Ruth
  3. pp. 165-184
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  1. Rehearsing Better Worlds: Poetry as A Way of Happening in the Works of Tomlinson and MacDiarmid
  2. Duncan Gullick Lien
  3. pp. 185-200
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  1. Escape from Plataea: Political and Intellectual Liberation in Thucydides's History
  2. Bernard J. Dobski
  3. pp. 201-216
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  1. Richards and Williams: Spring and All and the Invention of Modernist Form
  2. Dongho Cha
  3. pp. 217-221
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  1. The Promethean Form: A Poet's Ontological Metamorphosis in Emerson's "Self-Reliance" and "The Poet"
  2. Trent Michael Sanders
  3. pp. 222-229
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  1. But Then, A Moral Experiment
  2. Petar Ramadanovic
  3. pp. 230-235
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  1. Virtue Ethics and Literary Imagination
  2. Jay R. Elliott
  3. pp. 244-256
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  1. Wittgenstein and the Creativity of Language ed. by Sebastian Sunday Grève and Jakub Mácha (review)
  2. Elinor Hållén
  3. pp. 257-259
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  1. Literature and Happiness
  2. D. J. Moores
  3. pp. 260-277
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