In this Issue

Table of Contents

An Actor Beckons

Laura R. Bass, Elizabeth R. Wright
pp. 5-7
DOI: https://doi.org/10.1353/boc.2017.0020
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Siege as Spectacle in Cervantes’s La Numancia

Shifra Armon
pp. 11-28
DOI: https://doi.org/10.1353/boc.2017.0021
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The Case Against Tirso de Molina’s “Nephew”

Jane W. Albrecht
pp. 29-46
DOI: https://doi.org/10.1353/boc.2017.0022
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Calderón’s Theater of the New World: Historical Mimesis in La aurora en Copacabana

Sofie Kluge
pp. 47-67
DOI: https://doi.org/10.1353/boc.2017.0023
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Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas's Apolo y Dafne (circa 1700)

Maria Virginia Acuña
pp. 69-95
DOI: https://doi.org/10.1353/boc.2017.0024
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El puzle textual de El primer refugio de Calderón: Implicaciones metodológicas para la edición crítica

Rafael Zafra
pp. 97-109
DOI: https://doi.org/10.1353/boc.2017.0025
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La Comedia nueva e le scene italiane nel Seicento: trame, drammaturgie, contesti a confronto ed. by Fausta Antonucci and Anna Tedesco (review)

Guillaume Bernardi
pp. 111-115
DOI: https://doi.org/10.1353/boc.2017.0026
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Treating the Public: Charitable Theater and Civic Health in the Early Modern Atlantic World by Rachael Ball (review)

Ruth MacKay
pp. 117-119
DOI: https://doi.org/10.1353/boc.2017.0027
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El santo rey don Fernando (Segunda parte) by Pedro Calderón de la Barca (review)

Roy Norton
pp. 121-123
DOI: https://doi.org/10.1353/boc.2017.0028
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El secreto a voces by Pedro Calderón de la Barca (review)

Margaret R. Greer
pp. 125-127
DOI: https://doi.org/10.1353/boc.2017.0029
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The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain by Al Coppola (review)

Jesús Pérez-Magallón
pp. 129-131
DOI: https://doi.org/10.1353/boc.2017.0030
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Beyond Spain’s Borders: Women Players in Early Modern National Theaters ed. by Anne J. Cruz and María Cristina Quintero (review)

Robert Henke
pp. 133-137
DOI: https://doi.org/10.1353/boc.2017.0031
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Women’s Somatic Training in Early Modern Spanish Theater by Elizabeth Marie Cruz Petersen (review)

Mary Blythe Daniels
pp. 139-142
DOI: https://doi.org/10.1353/boc.2017.0032
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Shakespeare, Popularity and the Public Sphere by Jeffrey S. Doty (review)

Alejandro García-Reidy
pp. 143-145
DOI: https://doi.org/10.1353/boc.2017.0033
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Farsas y églogas by Lucas Fernández (review)

Margarita Freixas
pp. 147-149
DOI: https://doi.org/10.1353/boc.2017.0034
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Calderón: texto, reescritura, significado y representación by Santiago Fernández Mosquera (review)

Dian Fox
pp. 151-154
DOI: https://doi.org/10.1353/boc.2017.0035
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Antitheatricality and the Body Public by Lisa A. Freeman (review)

Susan Bennett
pp. 155-158
DOI: https://doi.org/10.1353/boc.2017.0036
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Los cigarrales de la privanza y el mecenazgo en Tirso de Molina by Juan Pablo Gil-Osle (review)

Jane W. Albrecht
pp. 159-161
DOI: https://doi.org/10.1353/boc.2017.0037
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What Was Tragedy? Theory and the Early Modern Canon by Blair Hoxby (review)

Marta Albalá Pelegrín
pp. 163-166
DOI: https://doi.org/10.1353/boc.2017.0038
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Moors Dressed as Moors: Clothing, Social Distinction and Ethnicity in Early Modern Iberia by Javier Irigoyen-García (review)

Trevor J. Dadson
pp. 167-169
DOI: https://doi.org/10.1353/boc.2017.0039
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Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood by Jeffrey Knapp (review)

Duncan Wheeler
pp. 171-173
DOI: https://doi.org/10.1353/boc.2017.0040
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Las comedias autógrafas de Calderón de la Barca y su proceso de escritura by Simon Kroll (review)

José María Ruano de la Haza
pp. 175-177
DOI: https://doi.org/10.1353/boc.2017.0041
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The Early Modern Hispanic World: Transnational and Interdisciplinary Approaches ed. by Kimberly Lynn and Erin Kathleen Rowe (review)

Katrina B. Olds
pp. 179-183
DOI: https://doi.org/10.1353/boc.2017.0042
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Imagining Spectatorship: From the Mysteries to the Shakespearean Stage by John J. McGavin and Greg Walker (review)

Catherine Connor
pp. 185-188
DOI: https://doi.org/10.1353/boc.2017.0043
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Comedias varias. Volumen 3.1: Morir y disimular, Gravedad en Villaverde, La más constante mujer by Juan Pérez de Montalbán (review)

Sidney Donnell
pp. 189-191
DOI: https://doi.org/10.1353/boc.2017.0044
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Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén and Sor Marcela de San Félix ed. by Nieves Romero-Díaz and Lisa Vollendorf (review)

Alexander Samson
pp. 193-195
DOI: https://doi.org/10.1353/boc.2017.0045
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The Senecan Aesthetic: A Performance History by Helen Slaney (review)

Florence d’Artois
pp. 197-199
DOI: https://doi.org/10.1353/boc.2017.0046
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Shakespeare’s First Folio: Four Centuries of an Iconic Book by Emma Smith (review)

José María Pérez Fernández
pp. 201-204
DOI: https://doi.org/10.1353/boc.2017.0047
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Performance by Diana Taylor (review)

Erika Fischer-Lichte
pp. 205-207
DOI: https://doi.org/10.1353/boc.2017.0048
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Theater of a Thousand Wonders: A History of Miraculous Images and Shrines in New Spain by William B. Taylor (review)

Erin Kathleen Rowe
pp. 209-211
DOI: https://doi.org/10.1353/boc.2017.0049
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Los cautivos de Argel by Lope de Vega (review)

Victoria Pineda
pp. 213-218
DOI: https://doi.org/10.1353/boc.2017.0050
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Comedias Parte XV by Lope de Vega (review)

Don W. Cruickshank
pp. 219-222
DOI: https://doi.org/10.1353/boc.2017.0051
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La vega del Parnaso by Lope de Vega (review)

Debora Vaccari
pp. 223-229
DOI: https://doi.org/10.1353/boc.2017.0052
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La niña de Gómez Arias by Luis Vélez de Guevara (review)

Rafael Ramos
pp. 231-233
DOI: https://doi.org/10.1353/boc.2017.0053
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Spectacular Wealth: The Festivals of Colonial South American Mining Towns by Lisa Voigt (review)

Ricardo Padrón
pp. 235-237
DOI: https://doi.org/10.1353/boc.2017.0054
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Unsettled Toleration: Religious Difference on the Shakespearean Stage by Brian Walsh (review)

Lorenzo Zucca
pp. 239-242
DOI: https://doi.org/10.1353/boc.2017.0055
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A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)

Nathalie Rivère De Carles
pp. 243-245
DOI: https://doi.org/10.1353/boc.2017.0056
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