1. An Actor Beckons
  2. Laura R. Bass, Elizabeth R. Wright
  3. pp. 5-7
  4. DOI: 10.1353/boc.2017.0020
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  1. Siege as Spectacle in Cervantes’s La Numancia
  2. Shifra Armon
  3. pp. 11-28
  4. DOI: 10.1353/boc.2017.0021
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  1. The Case Against Tirso de Molina’s “Nephew”
  2. Jane W. Albrecht
  3. pp. 29-46
  4. DOI: 10.1353/boc.2017.0022
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  1. Calderón’s Theater of the New World: Historical Mimesis in La aurora en Copacabana
  2. Sofie Kluge
  3. pp. 47-67
  4. DOI: 10.1353/boc.2017.0023
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  1. Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas's Apolo y Dafne (circa 1700)
  2. Maria Virginia Acuña
  3. pp. 69-95
  4. DOI: 10.1353/boc.2017.0024
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  1. El puzle textual de El primer refugio de Calderón: Implicaciones metodológicas para la edición crítica
  2. Rafael Zafra
  3. pp. 97-109
  4. DOI: 10.1353/boc.2017.0025
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  1. La Comedia nueva e le scene italiane nel Seicento: trame, drammaturgie, contesti a confronto ed. by Fausta Antonucci and Anna Tedesco (review)
  2. Guillaume Bernardi
  3. pp. 111-115
  4. DOI: 10.1353/boc.2017.0026
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  1. Treating the Public: Charitable Theater and Civic Health in the Early Modern Atlantic World by Rachael Ball (review)
  2. Ruth MacKay
  3. pp. 117-119
  4. DOI: 10.1353/boc.2017.0027
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  1. El santo rey don Fernando (Segunda parte) by Pedro Calderón de la Barca (review)
  2. Roy Norton
  3. pp. 121-123
  4. DOI: 10.1353/boc.2017.0028
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  1. El secreto a voces by Pedro Calderón de la Barca (review)
  2. Margaret R. Greer
  3. pp. 125-127
  4. DOI: 10.1353/boc.2017.0029
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  1. The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain by Al Coppola (review)
  2. Jesús Pérez-Magallón
  3. pp. 129-131
  4. DOI: 10.1353/boc.2017.0030
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  1. Beyond Spain’s Borders: Women Players in Early Modern National Theaters ed. by Anne J. Cruz and María Cristina Quintero (review)
  2. Robert Henke
  3. pp. 133-137
  4. DOI: 10.1353/boc.2017.0031
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  1. Women’s Somatic Training in Early Modern Spanish Theater by Elizabeth Marie Cruz Petersen (review)
  2. Mary Blythe Daniels
  3. pp. 139-142
  4. DOI: 10.1353/boc.2017.0032
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  1. Shakespeare, Popularity and the Public Sphere by Jeffrey S. Doty (review)
  2. Alejandro García-Reidy
  3. pp. 143-145
  4. DOI: 10.1353/boc.2017.0033
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  1. Farsas y églogas by Lucas Fernández (review)
  2. Margarita Freixas
  3. pp. 147-149
  4. DOI: 10.1353/boc.2017.0034
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  1. Calderón: texto, reescritura, significado y representación by Santiago Fernández Mosquera (review)
  2. Dian Fox
  3. pp. 151-154
  4. DOI: 10.1353/boc.2017.0035
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  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. Susan Bennett
  3. pp. 155-158
  4. DOI: 10.1353/boc.2017.0036
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  1. Los cigarrales de la privanza y el mecenazgo en Tirso de Molina by Juan Pablo Gil-Osle (review)
  2. Jane W. Albrecht
  3. pp. 159-161
  4. DOI: 10.1353/boc.2017.0037
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  1. What Was Tragedy? Theory and the Early Modern Canon by Blair Hoxby (review)
  2. Marta Albalá Pelegrín
  3. pp. 163-166
  4. DOI: 10.1353/boc.2017.0038
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  1. Moors Dressed as Moors: Clothing, Social Distinction and Ethnicity in Early Modern Iberia by Javier Irigoyen-García (review)
  2. Trevor J. Dadson
  3. pp. 167-169
  4. DOI: 10.1353/boc.2017.0039
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  1. Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood by Jeffrey Knapp (review)
  2. Duncan Wheeler
  3. pp. 171-173
  4. DOI: 10.1353/boc.2017.0040
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  1. Las comedias autógrafas de Calderón de la Barca y su proceso de escritura by Simon Kroll (review)
  2. José María Ruano de la Haza
  3. pp. 175-177
  4. DOI: 10.1353/boc.2017.0041
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  1. The Early Modern Hispanic World: Transnational and Interdisciplinary Approaches ed. by Kimberly Lynn and Erin Kathleen Rowe (review)
  2. Katrina B. Olds
  3. pp. 179-183
  4. DOI: 10.1353/boc.2017.0042
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  1. Imagining Spectatorship: From the Mysteries to the Shakespearean Stage by John J. McGavin and Greg Walker (review)
  2. Catherine Connor
  3. pp. 185-188
  4. DOI: 10.1353/boc.2017.0043
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  1. Comedias varias. Volumen 3.1: Morir y disimular, Gravedad en Villaverde, La más constante mujer by Juan Pérez de Montalbán (review)
  2. Sidney Donnell
  3. pp. 189-191
  4. DOI: 10.1353/boc.2017.0044
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  1. Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén and Sor Marcela de San Félix ed. by Nieves Romero-Díaz and Lisa Vollendorf (review)
  2. Alexander Samson
  3. pp. 193-195
  4. DOI: 10.1353/boc.2017.0045
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  1. The Senecan Aesthetic: A Performance History by Helen Slaney (review)
  2. Florence d’Artois
  3. pp. 197-199
  4. DOI: 10.1353/boc.2017.0046
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  1. Shakespeare’s First Folio: Four Centuries of an Iconic Book by Emma Smith (review)
  2. José María Pérez Fernández
  3. pp. 201-204
  4. DOI: 10.1353/boc.2017.0047
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  1. Performance by Diana Taylor (review)
  2. Erika Fischer-Lichte
  3. pp. 205-207
  4. DOI: 10.1353/boc.2017.0048
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  1. Theater of a Thousand Wonders: A History of Miraculous Images and Shrines in New Spain by William B. Taylor (review)
  2. Erin Kathleen Rowe
  3. pp. 209-211
  4. DOI: 10.1353/boc.2017.0049
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  1. Los cautivos de Argel by Lope de Vega (review)
  2. Victoria Pineda
  3. pp. 213-218
  4. DOI: 10.1353/boc.2017.0050
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  1. Comedias Parte XV by Lope de Vega (review)
  2. Don W. Cruickshank
  3. pp. 219-222
  4. DOI: 10.1353/boc.2017.0051
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  1. La vega del Parnaso by Lope de Vega (review)
  2. Debora Vaccari
  3. pp. 223-229
  4. DOI: 10.1353/boc.2017.0052
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  1. La niña de Gómez Arias by Luis Vélez de Guevara (review)
  2. Rafael Ramos
  3. pp. 231-233
  4. DOI: 10.1353/boc.2017.0053
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  1. Spectacular Wealth: The Festivals of Colonial South American Mining Towns by Lisa Voigt (review)
  2. Ricardo Padrón
  3. pp. 235-237
  4. DOI: 10.1353/boc.2017.0054
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  1. Unsettled Toleration: Religious Difference on the Shakespearean Stage by Brian Walsh (review)
  2. Lorenzo Zucca
  3. pp. 239-242
  4. DOI: 10.1353/boc.2017.0055
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  1. A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)
  2. Nathalie Rivère De Carles
  3. pp. 243-245
  4. DOI: 10.1353/boc.2017.0056
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