In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University Pressviewing issue
44 (Volume 15, Number 2), 2000Table of Contents
-
View Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
-
Download
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
- Save Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
-
View In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
-
Download
In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
- Save In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
-
View "Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies
-
Download
"Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies
- Save "Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies
Previous Issue
Next Issue
| ISSN | 1529-1510 |
|---|---|
| Print ISSN | 0270-5346 |
| Launched on MUSE | 2000-07-01 |
| Open Access | No |
| Archive Status | Archived 2005 |




