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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/esc.1993.0025
  4. restricted access
  1. “Barbarous Dissonance” and Multivocality in Paradise Lost
  2. Elizabeth Sauer
  3. pp. 263-289
  4. DOI: https://doi.org/10.1353/esc.1993.0014
  5. restricted access
  1. Foolscap Subjects: A Story of Reading Byron’s Don Juan
  2. Catherine Addison
  3. pp. 290-304
  4. DOI: https://doi.org/10.1353/esc.1993.0015
  5. restricted access
  1. Woolf, Carlyle, and the Writing of Orlando
  2. D.G. Mason
  3. pp. 329-338
  4. DOI: https://doi.org/10.1353/esc.1993.0017
  5. restricted access
  1. Teaching Literature: Creative Writing as Critical Response
  2. Deborah Bowen
  3. pp. 339-344
  4. DOI: https://doi.org/10.1353/esc.1993.0018
  5. restricted access
  1. Criticism in Exile
  2. A.W. Heidemann
  3. pp. 345-362
  4. DOI: https://doi.org/10.1353/esc.1993.0019
  5. restricted access
  1. Changing Moodie: Author Constructions in a Canadian “Classic”
  2. Julie Beddoes
  3. pp. 363-377
  4. DOI: https://doi.org/10.1353/esc.1993.0020
  5. restricted access
  1. A Different Point of View: Sara Jeanette Duncan by Misao Dean (review)
  2. Heather Murray
  3. pp. 379-381
  4. DOI: https://doi.org/10.1353/esc.1993.0022
  5. restricted access
  1. The Pioneer Woman: A Canadian Character Type by Elizabeth Thompson (review)
  2. Linda Lamont-Stewart
  3. pp. 382-384
  4. DOI: https://doi.org/10.1353/esc.1993.0023
  5. restricted access
  1. His Farewell to Military Profession, by Barnabe Riche ed. by Donald Beecher (review)
  2. A. Kent Hieatt
  3. pp. 384-386
  4. DOI: https://doi.org/10.1353/esc.1993.0024
  5. restricted access