1. Introduction
  2. Lan Samantha Chang
  3. p. vii
  4. DOI: 10.1353/plo.2018.0000
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  1. Music Night
  2. Natalie Bakopoulos
  3. pp. 1-18
  4. DOI: 10.1353/plo.2018.0001
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  1. Still Life with Helicopters
  2. Rick Barot
  3. pp. 19-20
  4. DOI: 10.1353/plo.2018.0002
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  1. They Came
  2. Jill Bialosky
  3. pp. 21-22
  4. DOI: 10.1353/plo.2018.0003
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  1. The Underworld
  2. Marianne Boruch
  3. pp. 23-24
  4. DOI: 10.1353/plo.2018.0004
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  1. Snakes in the Lobby
  2. Amie Barrodale
  3. pp. 25-36
  4. DOI: 10.1353/plo.2018.0005
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  1. I Happy Am
  2. Jamel Brinkley
  3. pp. 37-52
  4. DOI: 10.1353/plo.2018.0006
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  1. Cynthia La'Gail
  2. Tameka Cage Conley
  3. p. 53
  4. DOI: 10.1353/plo.2018.0007
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  1. Smith's Supermarket, Taos, New Mexico, at the Fifteen Items or Less Checkout Line, and: Las Hormiguitas
  2. Sandra Cisneros
  3. pp. 54-57
  4. DOI: 10.1353/plo.2018.0008
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  1. Yes and No
  2. Nan Cohen
  3. p. 58
  4. DOI: 10.1353/plo.2018.0009
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  1. How to Become a Monster
  2. Nyssa Chow
  3. pp. 59-66
  4. DOI: 10.1353/plo.2018.0010
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  1. Dogs Are Barking
  2. Wendy Dinwiddie
  3. pp. 67-68
  4. DOI: 10.1353/plo.2018.0011
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  1. When I Walk in Beauty
  2. James Galvin
  3. p. 69
  4. DOI: 10.1353/plo.2018.0012
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  1. American Sonnet for My Past and Future Assassin
  2. Terrance Hayes
  3. pp. 70-73
  4. DOI: 10.1353/plo.2018.0013
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  1. My Son and Me
  2. Major Jackson
  3. p. 74
  4. DOI: 10.1353/plo.2018.0014
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  1. The Third Tower
  2. Deborah Eisenberg
  3. pp. 75-89
  4. DOI: 10.1353/plo.2018.0015
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  1. Interim
  2. Edgar Kunz
  3. pp. 90-92
  4. DOI: 10.1353/plo.2018.0016
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  1. Los Toritos
  2. Mark Levine
  3. pp. 93-94
  4. DOI: 10.1353/plo.2018.0017
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  1. Why They Hate Us
  2. Jill Mcdonough
  3. p. 95
  4. DOI: 10.1353/plo.2018.0018
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  1. Hungry Ricky Daddy
  2. Jamil Jan Kochai
  3. pp. 96-108
  4. DOI: 10.1353/plo.2018.0019
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  1. Ten Pre-Revolutionary Pillows, Watercolor 1910, Mariamna Davydoff, Russia
  2. Sandra Mcpherson
  3. pp. 109-110
  4. DOI: 10.1353/plo.2018.0020
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  1. The Book of Mermen
  2. D. A. Powell
  3. p. 111
  4. DOI: 10.1353/plo.2018.0021
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  1. Far North
  2. Alison Prine
  3. p. 112
  4. DOI: 10.1353/plo.2018.0022
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  1. Stay Here
  2. Maxim Loskutoff
  3. pp. 113-128
  4. DOI: 10.1353/plo.2018.0023
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  1. Pantoum by Frank O'Hara
  2. Richard Prins
  3. pp. 129-130
  4. DOI: 10.1353/plo.2018.0024
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  1. What remains, and: Banjo
  2. Nadya Radulova, Maria Vassileva
  3. pp. 131-132
  4. DOI: 10.1353/plo.2018.0025
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  1. The Gnat and the Lion, January 2017
  2. Dan Rosenberg
  3. p. 133
  4. DOI: 10.1353/plo.2018.0026
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  1. Milk Blood Heat
  2. Dantiel W. Moniz
  3. pp. 134-144
  4. DOI: 10.1353/plo.2018.0027
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  1. On Extinction Events
  2. Matthew Nye
  3. pp. 145-152
  4. DOI: 10.1353/plo.2018.0028
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  1. Hermetic
  2. Prageeta Sharma
  3. p. 153
  4. DOI: 10.1353/plo.2018.0029
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  1. Agnès Varda: Here and There 1, and: Agnès Varda: Here and There 2
  2. Cole Swensen
  3. pp. 154-156
  4. DOI: 10.1353/plo.2018.0030
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  1. Grace and Beauty
  2. Marilynne Robinson
  3. pp. 157-167
  4. DOI: 10.1353/plo.2018.0031
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  1. Verbascum
  2. Emily Wilson
  3. p. 173
  4. DOI: 10.1353/plo.2018.0033
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  1. Pecking Order
  2. Bennett Sims
  3. pp. 174-183
  4. DOI: 10.1353/plo.2018.0034
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  1. Alice Hoffman Prize for Fiction
  2. pp. 184-185
  3. DOI: 10.1353/plo.2018.0035
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  1. Editors' Shelf: Book Recommendations from Our Former Guest Editors
  2. p. 186
  3. DOI: 10.1353/plo.2018.0036
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  1. Editors' Corner: New Work by Former Guest Editors
  2. p. 186
  3. DOI: 10.1353/plo.2018.0037
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  1. Contributors' Notes
  2. pp. 187-193
  3. DOI: 10.1353/plo.2018.0038
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