1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. ix-x
  4. DOI: 10.1353/tj.2018.0000
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  1. Future Visions: A Pre-Performative History of Infant Theatricality
  2. Bryoni Trezise
  3. pp. 1-21
  4. DOI: 10.1353/tj.2018.0001
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  1. "Better to burn": The Prima Mimarum and Political Friction in Fourth-Century Antioch
  2. Scott Venters
  3. pp. 23-41
  4. DOI: 10.1353/tj.2018.0002
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  1. Exporting South Africa's Truth and Reconciliation Commission: Global Arts Corps' Truth in Translation
  2. Gibson Alessandro Cima
  3. pp. 43-63
  4. DOI: 10.1353/tj.2018.0003
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  1. Ham Acting: A Circum-Atlantic Genealogy
  2. Eleanor Massie
  3. pp. 65-82
  4. DOI: 10.1353/tj.2018.0004
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  1. Beach and Tunnel (review)
  2. Meiling Cheng
  3. pp. 83-85
  4. DOI: 10.1353/tj.2018.0005
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  1. Villa by Guillermo Calderón (review)
  2. Jennifer Joan Thompson
  3. pp. 85-86
  4. DOI: 10.1353/tj.2018.0006
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  1. The Trojan Women by Euripides (review)
  2. Dean Wilcox
  3. pp. 87-88
  4. DOI: 10.1353/tj.2018.0007
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  1. Inte Hela Världen? (Not the End of the World) by Jean-Luc Lagarce (review)
  2. Bryce Lease
  3. pp. 88-90
  4. DOI: 10.1353/tj.2018.0008
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  1. Kings of War by William Shakespeare and Toneelgroep Amsterdam (review)
  2. Dan Venning
  3. pp. 90-92
  4. DOI: 10.1353/tj.2018.0009
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  1. Hamlet by William Shakespeare, and: Saint Joan by George Bernard Shaw (review)
  2. Rachel Evans
  3. pp. 92-94
  4. DOI: 10.1353/tj.2018.0010
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 94-98
  4. DOI: 10.1353/tj.2018.0011
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  1. Edward Albee's At Home at the Zoo by Edward Albee (review)
  2. Stephanie Lim
  3. pp. 98-101
  4. DOI: 10.1353/tj.2018.0012
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  1. The Oldest Boy by Sarah Ruhl (review)
  2. Amy Muse
  3. pp. 101-102
  4. DOI: 10.1353/tj.2018.0013
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  1. 41St Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 103-105
  4. DOI: 10.1353/tj.2018.0014
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  1. Pipeline by Dominique Morisseau (review)
  2. Lisa B. Thompson
  3. pp. 105-107
  4. DOI: 10.1353/tj.2018.0015
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  1. The Top of Bravery by Jeremy V. Morris (review)
  2. Jordana Cox
  3. pp. 107-109
  4. DOI: 10.1353/tj.2018.0016
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  1. Restless Bedfellows: Theatre, Theology, Religion, and Spirituality
  2. Claire Maria Chambers
  3. pp. 111-122
  4. DOI: 10.1353/tj.2018.0017
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  1. The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney (review)
  2. Lauren Robertson
  3. pp. 123-124
  4. DOI: 10.1353/tj.2018.0018
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  1. Analytic Philosophy and the World of the Play by Michael Y. Bennett (review)
  2. David Krasner
  3. pp. 126-127
  4. DOI: 10.1353/tj.2018.0020
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  1. Mainstream Aids Theatre, The Media, and Gay Civil Rights: Making the Radical Palatable by Jacob Juntunen (review)
  2. Kalle Westerling
  3. pp. 127-128
  4. DOI: 10.1353/tj.2018.0021
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