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Table of Contents

  1. Contributors
  2. pp. 5-8
  3. DOI: https://doi.org/10.1353/esc.2001.0000
  4. restricted access
  1. Scholarly Editing in Canada: The Issue that Grew
  2. Mary Jane Edwards
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/esc.2001.0001
  5. restricted access
  1. Editing and Manuscript form: Middle English Verse Written as Prose
  2. A.S.G. Edwards
  3. pp. 15-28
  4. DOI: https://doi.org/10.1353/esc.2001.0002
  5. restricted access
  1. Copy-text Editing: The Author-izing of Shakespeare
  2. Paul Werstine
  3. pp. 29-45
  4. DOI: https://doi.org/10.1353/esc.2001.0003
  5. restricted access
  1. Editing and Canonicity: “Minor” ‘Works by “Major” Authors
  2. Juliet McMaster
  3. pp. 47-66
  4. DOI: https://doi.org/10.1353/esc.2001.0004
  5. restricted access
  1. Editing in an Electronic World: The Lyrical Ballads Project
  2. Ronald Tetreault
  3. pp. 67-98
  4. DOI: https://doi.org/10.1353/esc.2001.0005
  5. restricted access
  1. The 1816–17 Frankensteins: An Alternative Reconstruction of Their Composition
  2. David Ketterer
  3. pp. 99-127
  4. DOI: https://doi.org/10.1353/esc.2001.0006
  5. restricted access
  1. Editing the Impossible: John Henry Newman’s Essay on the Development of Christian Doctrine
  2. Michael D. Moore
  3. pp. 129-139
  4. DOI: https://doi.org/10.1353/esc.2001.0007
  5. restricted access
  1. An Editorial Retrospective: Between Authorship and the Socialized Text
  2. David J. Nordloh
  3. pp. 165-177
  4. DOI: https://doi.org/10.1353/esc.2001.0009
  5. restricted access
  1. Why Critical Editing Matters: Responsible Texts and Australian Reviewers
  2. Paul Eggert
  3. pp. 179-204
  4. DOI: https://doi.org/10.1353/esc.2001.0010
  5. restricted access
  1. Sussex: Records of Early English Drama ed. by Cameron Louis (review)
  2. Leanne Groeneveld
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/esc.2001.0011
  5. restricted access
  1. Thomas Phaer and “The Boke of Chyldren” (1544) ed. by Rick Bowers (review)
  2. Donald A. Beecher
  3. pp. 208-211
  4. DOI: https://doi.org/10.1353/esc.2001.0012
  5. restricted access
  1. The Trial of Nicholas Throckmorton ed. by Annabel Patterson (review)
  2. Judith Deitch
  3. pp. 211-214
  4. DOI: https://doi.org/10.1353/esc.2001.0013
  5. restricted access
  1. Supposes (I suppositi) (1509) by Lodovico Ariosto (review)
  2. Karen Bamford
  3. pp. 214-217
  4. DOI: https://doi.org/10.1353/esc.2001.0014
  5. restricted access
  1. Notes of Me: The Autobiography of Roger North ed. by Peter Millard (review)
  2. Ronald Rompkey
  3. pp. 217-219
  4. DOI: https://doi.org/10.1353/esc.2001.0015
  5. restricted access
  1. Essays and Reviews: The 1860 Text and Its Reading ed. by Victor Shea, William Whitla (review)
  2. Pamela Dalziel
  3. pp. 227-230
  4. DOI: https://doi.org/10.1353/esc.2001.0018
  5. restricted access
  1. The Time Machine by H. G. Wells (review)
  2. Mason Harris
  3. pp. 230-233
  4. DOI: https://doi.org/10.1353/esc.2001.0019
  5. restricted access
  1. Northrop Frye on Religion ed. by Alvin A. Lee, Jean O’Grady (review)
  2. J. Russell Perkin
  3. pp. 233-236
  4. DOI: https://doi.org/10.1353/esc.2001.0020
  5. restricted access
  1. Talking on the Page: Editing Aboriginal Oral Texts ed. by Laura Murray, Keren Rice (review)
  2. Germaine Warkentin
  3. pp. 236-240
  4. DOI: https://doi.org/10.1353/esc.2001.0021
  5. restricted access
  1. Editing and the Discipline of English
  2. Robert Miles
  3. pp. 241-250
  4. DOI: https://doi.org/10.1353/esc.2001.0022
  5. restricted access