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In this Issue

Table of Contents

Editorial

  1. Art Remembering Science
  2. István Hargittai
  3. p. 102
  4. restricted access

Artists' Articles

  1. DreamArchitectonics: An Interactive Audiovisual Installation
  2. Frank Dufour, Lee Dufour
  3. pp. 105-110
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  1. A-me and BrainCloud: Art-Science Interrogations of Localization in Neuroscience
  2. Jordi Puig, Annamaria Carusi, Alvaro Cassinelli, Philippe Pinel, Aud Sissel Hoel
  3. pp. 111-117
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Artists' Notes

  1. Refractive Fingerprints of Lenses: Explorations in Light Transformations
  2. Sheila Pinkel
  3. pp. 118-123
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  1. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-Dimensional World
  2. Águeda Simó
  3. pp. 124-127
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  1. Color Plates
  3. pp. 129-132
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General Articles

  1. Biopoiesis: Electrochemical Media
  2. Carlo Scastellanos
  3. pp. 133-137
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  1. Warholian Repetition and the Viewer's Affective Response to Artworks from His Death and Disaster Series
  2. Jason Kass, Beth Harland, Nick Donnelly
  3. pp. 138-142
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Historical Perspectives

  1. Digital Art: The '60s to the '80s, from the Point of View of an Observactor
  2. Edmond Couchot
  3. pp. 143-144
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  1. Concrete Photography: (In-Between) Light Image and Data Image
  2. Gottfried Jäger
  3. pp. 146-154
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  1. The Contribution of Desmond Paul Henry (1921–2004) to Twentieth-Century Computer Art
  2. Elain O'Hanrahan
  3. pp. 156-162
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Statement

  1. Traces: Mobile Eye Tracking Captures User Sensory Experience in an Outdoor Walking Tour Environment
  2. Olivia Guntarik, Jair E. Garcia, Scarlett R. Howard, Adrian G. Dyer
  3. pp. 163-164
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Special Section: ArtScience

  1. Art in the Sciences of the Artificial
  2. Kenneth O. Stanley
  3. pp. 165-172
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Special Section: Artists and War

  1. Are We an Intelligent Race?
  2. Michele Emmer
  3. pp. 173-174
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Special Section: Papers from the 4th and 5th Balance-Unbalance International Conference: Part 1

  1. Papers from the 4th and 5th Balance-Unbalance International Conference, Part 1
  2. Ricardo Dal Farra
  3. p. 175
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  1. Balance–Unbalance: Transforming Paradigms (Art ↔ Environment)
  2. Ricardo Dal Farra
  3. pp. 176-177
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  1. Water Infrastructure and New Music as Agents of Environmental Awareness
  2. Gabriel Lubell
  3. p. 178
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  1. Climate and Music, Beyond Sonification: Balance-Unbalance 2016
  2. Andrew Kruczkiewicz
  3. pp. 179-180
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  1. The Value of Waste
  2. Michel van Dartel, Anne Nigten
  3. pp. 181-182
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  1. Esmog Data: Interpreting Air Quality Through Media Art and Design
  2. Julián Jaramillo Arango
  3. p. 183
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  1. The Art and Science of Recording the Environment
  2. Leah Barclay, Toby Gifford
  3. p. 184
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  1. Visualizations in Economics
  2. Fernando Carriazo, Jorge H García
  3. pp. 185-186
  4. restricted access
  1. Ontohacking: Onto-Ecological Politics in the Algoricene
  2. Jaime del Val
  3. pp. 187-188
  4. restricted access
  1. Water Issues in Chile: How Does a Dry River Sound?
  2. Ignacio Nieto, Marcelo Velasco, Nelida Pohl, Graciela Muñoz
  3. pp. 189-190
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  1. Relationships between Art, Science and Epistemology: The Earth as a Laboratory and the "Intruder Artist"
  2. Paz Tornero
  3. pp. 191-192
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  1. Listening to the Ocean in the Desert
  2. Yolande Harris
  3. pp. 193-194
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  1. Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds: Creative Semantic Anchoring
  2. Damián Keller, Leonardo Feichas
  3. pp. 195-196
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  1. Could Human Development Be the Key to Environmental Sustainability?
  2. Ahmed Affan Adil
  3. pp. 197-198
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  1. The Drama of Dengue Fever: Civic-oriented Journalists, Community and Artists Fighting Dengue
  2. Tiago Franklin Rodrigues Lucena, Ana Paula Machado Velho, Vinicius Durval Dorne, Diana Maria Gallicchio Domingues
  3. pp. 199-200
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Leonardo Reviews

  1. Playback: A Genealogy of 1980s British Videogames by Alex Wade (review)
  2. James Sweeting
  3. pp. 201-202
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  1. Across & Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions ed. by Ryan Bishop et al. (review)
  2. Gabriela Galati
  3. pp. 203-205
  4. restricted access
  1. Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region by Larissa Hjorth et al. (review)
  2. Mike Leggett
  3. pp. 205-206
  4. restricted access
  1. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age by Jihoon Kim (review)
  2. Will Luers
  3. pp. 206-207
  4. restricted access
  1. The Age of Lovecraft ed. by Carl H. Sederholm and Jeffrey Andrew Weinstock (review)
  2. Anthony Enns
  3. pp. 207-208
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  1. Making Trouble: Surrealism and the Human Sciences by Derek Sayer (review)
  2. Jan Baetens
  3. pp. 208-209
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  1. Institutional Critique to Hospitality: Bio Art Practice Now ed. by Assimina Kaniari, and: Ciencia Abierta: Singularidad e Irrupción en Las Fronteras de la Práctica Artística/Open Science: Singularity and Emergence on the Boundary of Artistic Practice ed. by Ignacio Nieto and Marcelo Velasco (review)
  2. Charissa N. Terranova
  3. pp. 209-211
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  1. The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic (review)
  2. Giovanna Costantini
  3. pp. 211-212
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  1. Memory in Motion: Archives, Technology and the Social ed. by Ina Blom, Trond Lundemo and Eivind Røssaak (review)
  2. Jan Baetens
  3. pp. 212-213
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  1. The Interface: IBM and the Transformation of Corporate Design, 1945–1976 by John Harwood (review)
  2. Mike Mosher
  3. pp. 213-214
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  1. Leonardo Reviews Online
  3. p. 214
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  1. The Network
  3. pp. 215-216
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  1. It Is Time to Think the Anthropocene!: A Manifesto
  2. Jean-Marc Chomaz
  3. pp. 217-219
  4. restricted access