In this Issue

Table of Contents

A Note from the Editor

Lisa S. Brenner
pp. ix-xi
DOI: https://doi.org/10.1353/tt.2018.0000
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2017 ATHE Presidential Address

Harvey Young
pp. 1-4
DOI: https://doi.org/10.1353/tt.2018.0001
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The Open Forum of ATHE

Patricia Ybarra
pp. 5-6
DOI: https://doi.org/10.1353/tt.2018.0002
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2017 ATHE Conference Plenary: A Spectacular Balancing Act

Jane Childs, CarlosAlexis Cruz, Roy Gomez Cruz, Xandra Ibarra, Kareem Khubchandani, Chris Lashua, Louis Patrick Leroux, Chase Waites
pp. 7-14
DOI: https://doi.org/10.1353/tt.2018.0003
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Freedom Singer: Modeling Performative Witnessing in Documentary Theatre

Lisa Aikman
pp. 15-26
DOI: https://doi.org/10.1353/tt.2018.0004
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“A Home on the Island”: Interbody Performance as a Method to Move beyond Resentment

Peilin Liang
pp. 27-41
DOI: https://doi.org/10.1353/tt.2018.0005
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Teaching Worldmindedness in a Mixed Majors and Nonmajors World Theatre Course: The Work of Rabindranath Tagore Explored through Third Culture Classroom Spaces

Drew Chappell, Jocelyn L. Buckner, Maxie Lankalingam
pp. 43-51
DOI: https://doi.org/10.1353/tt.2018.0006
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One Summer, Three Hamlets: A Practical Guide to Flow Fight Direction

Danielle Rosvally
pp. 53-59
DOI: https://doi.org/10.1353/tt.2018.0007
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Guest Editor’s Introduction: Failing Better

Henry Bial
pp. 61-62
DOI: https://doi.org/10.1353/tt.2018.0008
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The Sign Language Interpreted Performance: A Failure of Access Provision for Deaf Spectators

Michael Richardson
pp. 63-74
DOI: https://doi.org/10.1353/tt.2018.0009
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The Many Middling Failures of Miss Virginia Calhoun

Brian Eugenio Herrera
pp. 75-81
DOI: https://doi.org/10.1353/tt.2018.0010
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World Theories of Theatre by Glenn A. Odom (review)

John Fletcher
pp. 83-84
DOI: https://doi.org/10.1353/tt.2018.0011
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Digital Costume Design and Collaboration: Applications in Academia, Theatre, and Film by Rafael Jaen (review)

La Beene
pp. 84-85
DOI: https://doi.org/10.1353/tt.2018.0012
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Rhythm in Acting and Performance: Embodied Approaches and Understandings by Eilon Morris (review)

J. Ariadne Calvano
pp. 85-86
DOI: https://doi.org/10.1353/tt.2018.0013
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Playwriting: A Writers’ and Artists’ Companion by Fraser Grace, Clare Bayley (review)

Kristin Perkins
pp. 86-87
DOI: https://doi.org/10.1353/tt.2018.0014
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Annotating Vegas: Mapping Performance Interventions at ATHE 2017

Michelle Liu Carriger, Eero Laine
pp. E-1-E-3
DOI: https://doi.org/10.1353/tt.2018.0015
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Four Principles about Site-Specific Theatre: A Conversation on Architecture, Bodies, and Presence

Rachel Bowditch, Daniel Bird Tobin, Chelsea Pace, Marc Devine
pp. E-5-E-19
DOI: https://doi.org/10.1353/tt.2018.0016
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