1. Introduction: The Keywords Collective
  2. pp. 1-4
  3. DOI: 10.1353/esc.2004.0052
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  1. Art
  2. Clint Burnham
  3. pp. 5-10
  4. DOI: 10.1353/esc.2004.0053
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  1. Community
  2. J. Hillis Miller
  3. pp. 11-16
  4. DOI: 10.1353/esc.2004.0054
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  1. Dialectic
  2. Robert Burch
  3. pp. 16-20
  4. DOI: 10.1353/esc.2004.0055
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  1. Equality
  2. Frank Davey
  3. pp. 21-24
  4. DOI: 10.1353/esc.2004.0056
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  1. Experience
  2. Peggy Kamuf
  3. pp. 24-29
  4. DOI: 10.1353/esc.2004.0057
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  1. History
  2. Paul Stevens
  3. pp. 29-33
  4. DOI: 10.1353/esc.2004.0058
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  1. Individual
  2. Judith Scherer Herz
  3. pp. 33-37
  4. DOI: 10.1353/esc.2004.0059
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  1. Liberation
  2. Terry Goldie
  3. pp. 37-40
  4. DOI: 10.1353/esc.2004.0060
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  1. Literature
  2. George Elliott Clarke
  3. pp. 40-46
  4. DOI: 10.1353/esc.2004.0061
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  1. Organicism
  2. Tilottama Rajan
  3. pp. 46-50
  4. DOI: 10.1353/esc.2004.0062
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  1. Taste
  2. Marjorie Perloff
  3. pp. 50-55
  4. DOI: 10.1353/esc.2004.0063
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  1. Violence
  2. Alan Norrie
  3. pp. 55-57
  4. DOI: 10.1353/esc.2004.0064
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  1. Work
  2. Evan Watkins
  3. pp. 57-65
  4. DOI: 10.1353/esc.2004.0065
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  1. Keywords: Raymond Williams and Others
  2. Annabel Patterson
  3. pp. 66-80
  4. DOI: 10.1353/esc.2004.0066
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  1. The Gothic and the Fantastic in the Age of Digital Reproduction
  2. Anne Quéma
  3. pp. 81-119
  4. DOI: 10.1353/esc.2004.0067
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  1. “It’s not power, it’s sex”: Jeanette Winterson’s Power Book and Nicole Brossard’s Baroque d’Aube
  2. Helene Staveley
  3. pp. 120-138
  4. DOI: 10.1353/esc.2004.0068
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  1. “There and Back Again”: Progress in the Discourse of Todorovian, Tolkienian and Mystic Fantasy Theory
  2. Greg Bechtel
  3. pp. 139-166
  4. DOI: 10.1353/esc.2004.0069
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  1. Back to the Future
  2. David Alderson
  3. pp. 167-187
  4. DOI: 10.1353/esc.2004.0070
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  1. Hard Going After Theory
  2. Evelyn Cobley
  3. pp. 188-204
  4. DOI: 10.1353/esc.2004.0071
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  1. An Essay on Theory
  2. Heather Murray
  3. pp. 205-215
  4. DOI: 10.1353/esc.2004.0072
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  1. Opera: The Art of Dying by Linda Hutcheon, Michael Hutcheon (review)
  2. Kevin Kopelson
  3. pp. 217-222
  4. DOI: 10.1353/esc.2004.0073
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  1. Satire & the Postcolonial Novel. V.S. Naipaul, Chinua Achebe, Salman Rushdie by John Clement Ball (review)
  2. Heike Härting
  3. pp. 222-226
  4. DOI: 10.1353/esc.2004.0074
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  1. The Idea of a Colony: Cross-Culturalism in Modern Poetry by Edward Marx (review)
  2. Ruth A. Grogan
  3. pp. 226-231
  4. DOI: 10.1353/esc.2004.0075
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  1. The Politics of the Visible in Asian North American Narratives by Eleanor Ty (review)
  2. Benzi Zhang
  3. pp. 231-235
  4. DOI: 10.1353/esc.2004.0076
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  1. Making Avonlea: L. M. Montgomery and Popular Culture ed. by Irene Gammel (review)
  2. Laura M. Robinson
  3. pp. 235-239
  4. DOI: 10.1353/esc.2004.0077
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  1. The Woman and the Hour: Harriet Martineau and Victorian Ideologies by Caroline Roberts (review)
  2. Mary Elizabeth Leighton
  3. pp. 239-243
  4. DOI: 10.1353/esc.2004.0078
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  1. Cortigiana (La cortigiana) (1525) by Pietro Aretino (review)
  2. Salvatore Bancheri
  3. pp. 244-246
  4. DOI: 10.1353/esc.2004.0079
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  1. One Heart, One Way: Alden Nowlan, A Writer’s Life by Gregory M. Cook (review)
  2. Lauren Caines
  3. pp. 246-249
  4. DOI: 10.1353/esc.2004.0080
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  1. Relocating Praise: Literary Modalities and Rhetorical Contexts ed. by Alice G. den Otter (review)
  2. Karen Simons
  3. pp. 249-251
  4. DOI: 10.1353/esc.2004.0081
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  1. 1975: The Year That Was
  2. pp. 257-276
  3. DOI: 10.1353/esc.2004.0083
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