1. Page 2: Freethinkers, Heretics, & the Little Blue Books
  2. Jeffrey R. Di Leo
  3. pp. 2-26
  4. DOI: 10.1353/abr.2017.0122
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  1. Introduction to Focus: Biofiction—Its Origins, Natures, and Evolutions
  2. Michael Lackey
  3. pp. 3-4
  4. DOI: 10.1353/abr.2017.0123
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  1. Art and Ethics: Lytton Strachey and the Origins of Biofiction
  2. Todd Avery
  3. p. 5
  4. DOI: 10.1353/abr.2017.0124
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  1. Truth and Circumstantiality in Javier Cercas’ Biofictions
  2. Virginia Newhall Rademacher
  3. pp. 6-27
  4. DOI: 10.1353/abr.2017.0125
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  1. Modernist Titans and Postmodernist Mythobiografiction
  2. Monica Latham
  3. pp. 6-28
  4. DOI: 10.1353/abr.2017.0126
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  1. Fantasy Anne Hathaways
  2. Katherine West Scheil
  3. p. 7
  4. DOI: 10.1353/abr.2017.0127
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  1. Genealogizing the Female Self: The Right to Parrhēsia
  2. Valentina Vannucci
  3. pp. 8-28
  4. DOI: 10.1353/abr.2017.0128
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  1. Biofictions from the Antipodes
  2. Kelly Gardiner, Catherine Padmore
  3. p. 9
  4. DOI: 10.1353/abr.2017.0129
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  1. A Portrait of the Artist under Duress
  2. M. Allen Cunningham
  3. pp. 10-11
  4. DOI: 10.1353/abr.2017.0130
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  1. Nietzsche in Mexico
  2. Lance Olsen
  3. pp. 11-29
  4. DOI: 10.1353/abr.2017.0131
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  1. I, Margaret
  2. Lara Dodds
  3. pp. 12-29
  4. DOI: 10.1353/abr.2017.0132
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  1. Deaths of the Author
  2. Monica Latham
  3. pp. 13-29
  4. DOI: 10.1353/abr.2017.0133
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  1. K is for Kafka
  2. Pedro Ponce
  3. pp. 14-30
  4. DOI: 10.1353/abr.2017.0134
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  1. Lizzie Borden Took an Axe
  2. Bethany Mannon
  3. pp. 14-30
  4. DOI: 10.1353/abr.2017.0135
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  1. George Eliot in Romantic Biofiction
  2. Beverley Park Rilett
  3. pp. 15-30
  4. DOI: 10.1353/abr.2017.0136
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  1. Mapping Kerouac
  2. Regina Weinreich
  3. p. 16
  4. DOI: 10.1353/abr.2017.0137
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  1. You’ll Float Too
  2. William Hastings
  3. pp. 17-18
  4. DOI: 10.1353/abr.2017.0138
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  1. The Terror of Our Ways
  2. Karen Corinne Herceg
  3. pp. 18-19
  4. DOI: 10.1353/abr.2017.0139
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  1. The Structure of Feeling
  2. Paul Pines
  3. pp. 19-20
  4. DOI: 10.1353/abr.2017.0140
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  1. The Whole Page
  2. Emily Levin
  3. pp. 20-21
  4. DOI: 10.1353/abr.2017.0141
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  1. Short Form Mastery
  2. Diane Goodman
  3. p. 21
  4. DOI: 10.1353/abr.2017.0142
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  1. Blood Money
  2. Juliana Rausch
  3. p. 22
  4. DOI: 10.1353/abr.2017.0143
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  1. A Structure of Irony
  2. Michele Battiste
  3. pp. 23-25
  4. DOI: 10.1353/abr.2017.0144
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  1. Haunted House
  2. Stephanie Rauschenbusch
  3. p. 24
  4. DOI: 10.1353/abr.2017.0145
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  1. Charles B. Harris, 1940–2017
  2. Jeffrey R. Di Leo
  3. p. 25
  4. DOI: 10.1353/abr.2017.0146
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  1. Scenes: an interview with Jeanetta Calhoun Mish
  2. p. 31
  3. DOI: 10.1353/abr.2017.0147
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