1. Introduction: Monster Studies
  2. Chris Koenig-Woodyard, Shalini Nanayakkara, Yashvi Khatri
  3. pp. 1-24
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  1. The Blatant Beast and the "Endlesse Trace" of Spenserian Romance
  2. Adam Spellmire
  3. pp. 25-41
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  1. The Monster's Transformation on American Radio (1930s–50s)
  2. Katherine Barnes Echols
  3. pp. 42-61
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  1. Oh the Monstrosity: Vigilante Mobs and Biopolitical Justice in 1930s Film
  2. Lina Kuhn
  3. pp. 62-80
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  1. The Mathematics of Monstrosity: Vampire Demography in Richard Matheson's I Am Legend
  2. Chris Koenig-Woodyard
  3. pp. 81-109
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  1. The Difference between Heroes and Monsters: Marvel Monsters and Their Transition into the Superhero Genre
  2. Christopher Mcgunnigle
  3. pp. 110-135
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  1. The Community of Those Who Do Not Exist: Communication among Monsters in the Films and Novels of Jean Rollin
  2. Ray Huling
  3. pp. 136-157
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  1. Beyond the Collapse of Meaning: Narratives of Monstrosity in Philip Pullman's His Dark Materials
  2. Kathleen Kellett
  3. pp. 158-175
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  1. Food for Thoughts: Thinking through Cannibals and Plagiarists
  2. Roger Davis
  3. pp. 176-195
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  1. The Militarized Shapeshifter: Authorized Violence and Military Connections as an Antidote to Monstrosity
  2. Lt. Col. Karalyne Lowery Usaf
  3. pp. 196-213
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  1. Monster Studies: Liminality, Home Spaces, and Ina Vampires in Octavia E. Butler's Fledgling
  2. Lin Knutson
  3. pp. 214-233
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  1. Hyde the Hero: Changing the Role of the Modern-Day Monster
  2. Erica Mccrystal
  3. pp. 234-248
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  1. This is my Becoming: Transformation, Hybridity, and the Monstrous in NBC's Hannibal
  2. Jaquelin Elliott
  3. pp. 249-265
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  1. "Spread the Word": Creepypasta, Hauntology, and an Ethics of the Curse
  2. Line Henriksen
  3. pp. 266-280
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