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Table of Contents

  1. From the Editors: tânisi kiyawôw
  2. June Scudeler
  3. pp. vii-ix
  4. DOI: https://doi.org/10.5250/studamerindilite.29.4.0vii
  5. restricted access
  1. The Cosmological Liveliness of Terril Calder's The Lodge: Animating Our Relations and Unsettling Our Cinematic Spaces
  2. Salma Monani
  3. pp. 1-28
  4. DOI: https://doi.org/10.5250/studamerindilite.29.4.0001
  5. restricted access
  1. Inhabiting Indianness: Sherman Alexie's Indian Killer and the Phenomenology of White Sincerity
  2. Zachary S. Laminack
  3. pp. 29-57
  4. DOI: https://doi.org/10.5250/studamerindilite.29.4.0029
  5. restricted access
  1. Deconstructing the Master's House with His Own Tools: Code-Switching and Double-Voiced Discourse as Agency in Gerald Vizenor's Heirs of Columbus
  2. Bernadette V. Russo
  3. pp. 58-75
  4. DOI: https://doi.org/10.5250/studamerindilite.29.4.0058
  5. restricted access
  1. "I HAVE SEEN THE FUTURE AND I WON'T GO": The Comic Vision of Craig Strete's Science Fiction Stories
  2. Kristina Baudemann
  3. pp. 76-101
  4. DOI: https://doi.org/10.5250/studamerindilite.29.4.0076
  5. restricted access
  1. Weaving the Boundary by Karenne Wood (review)
  2. Robin Riley Fast
  3. pp. 102-106
  4. restricted access
  1. Stories for a Lost Child by Carter Meland (review)
  2. Jane Haladay
  3. pp. 107-110
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  1. The Turtle's Beating Heart: One Family's Story of Lenape Survival by Denise Low (review)
  2. Geary Hobson
  3. pp. 110-112
  4. restricted access
  1. Indigenous Women, Work, and History: 1940–1980 by Mary Jane Logan McCallum (review)
  2. Patrizia Zanella
  3. pp. 112-116
  4. restricted access