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In this Issue

Table of Contents

  1. General Editor's Introduction
  2. Kathryn Prince
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/shb.2018.0000
  5. restricted access
  1. Metatheatre and Early Modern Drama
  2. Sarah Dustagheer, Harry Newman
  3. pp. 3-18
  4. DOI: https://doi.org/10.1353/shb.2018.0001
  5. restricted access
  1. Are Shakespeare's plays always metatheatrical?
  2. Stephen Purcell
  3. pp. 19-35
  4. DOI: https://doi.org/10.1353/shb.2018.0002
  5. restricted access
  1. As If
  2. Robert Shaughnessy
  3. pp. 37-48
  4. DOI: https://doi.org/10.1353/shb.2018.0003
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  1. All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation
  2. Nathaniel C. Leonard
  3. pp. 49-67
  4. DOI: https://doi.org/10.1353/shb.2018.0004
  5. restricted access
  1. Matter-Theatre: Construction in Cymbeline
  2. Callan Davies
  3. pp. 69-88
  4. DOI: https://doi.org/10.1353/shb.2018.0005
  5. restricted access
  1. Reading Metatheatre
  2. Harry Newman
  3. pp. 89-110
  4. DOI: https://doi.org/10.1353/shb.2018.0006
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  1. Public Eye and Private Place: Intimacy and Metatheatre in Pericles and The Tempest
  2. Bridget Escolme
  3. pp. 111-130
  4. DOI: https://doi.org/10.1353/shb.2018.0007
  5. restricted access
  1. Modernizing Metatheatre in the RSC's A Mad World My Masters
  2. Eoin Price
  3. pp. 131-139
  4. DOI: https://doi.org/10.1353/shb.2018.0008
  5. restricted access
  1. Seattle Shakespeare Company 2016–2017 Season
  2. Michael W. Shurgot
  3. pp. 141-151
  4. DOI: https://doi.org/10.1353/shb.2018.0009
  5. restricted access
  1. Hamlet (review)
  2. Harry R. McCarthy
  3. pp. 151-155
  4. DOI: https://doi.org/10.1353/shb.2018.0010
  5. restricted access
  1. Hamlet (review)
  2. Amrita Dhar
  3. pp. 156-159
  4. DOI: https://doi.org/10.1353/shb.2018.0011
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  1. Macbeth (review)
  2. Gemma Miller
  3. pp. 160-165
  4. DOI: https://doi.org/10.1353/shb.2018.0012
  5. restricted access
  1. Macbeth (review)
  2. Michael J. Collins
  3. pp. 165-169
  4. DOI: https://doi.org/10.1353/shb.2018.0013
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  1. The Woman in the Moon (review)
  2. Robbie Hand
  3. pp. 169-173
  4. DOI: https://doi.org/10.1353/shb.2018.0014
  5. restricted access
  1. The Taming of the Shrew (review)
  2. Marguerite Tassi
  3. pp. 173-176
  4. DOI: https://doi.org/10.1353/shb.2018.0015
  5. restricted access
  1. The Merchant of Venice (review)
  2. Barbara Ann Lukacs
  3. pp. 176-180
  4. DOI: https://doi.org/10.1353/shb.2018.0016
  5. restricted access
  1. King Richard II (review)
  2. Melissa Croteau
  3. pp. 180-183
  4. DOI: https://doi.org/10.1353/shb.2018.0017
  5. restricted access
  1. The Fair Maid of the Exchange (review)
  2. James S. Lambert
  3. pp. 183-188
  4. DOI: https://doi.org/10.1353/shb.2018.0018
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  1. Historical Affects and the Early Modern Theater eds. by Ronda Arab, Michelle M. Dowd, and Adam Zucker, and: Affect Theory and Early Modern Texts: Politics, Ecologies, and Form eds. by Amanda Bailey and Mario DiGangi (review)
  2. Erin Sullivan
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/shb.2018.0019
  5. restricted access