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In this Issue

Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/mar.2018.0000
  5. restricted access
  1. My Body
  2. Emily Fragos
  3. pp. 8-10
  4. DOI: https://doi.org/10.1353/mar.2018.0001
  5. restricted access
  1. A Scene Played on the Stage of Memory: A One-act Play
  2. Charlotte Delbo, Cynthia Haft
  3. pp. 11-28
  4. DOI: https://doi.org/10.1353/mar.2018.0002
  5. restricted access
  1. Dire Pinnacle
  2. Lee Yuk Sa, Sekyo Nam Haines
  3. p. 29
  4. DOI: https://doi.org/10.1353/mar.2018.0003
  5. restricted access
  1. Fox Under Ice
  2. Ingmar Heytze, Joel Thomas Katz, Robert Perry
  3. p. 30
  4. DOI: https://doi.org/10.1353/mar.2018.0004
  5. restricted access
  1. Have I Told You Enough How Much I Love You?
  2. Benjamin Abtan
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/mar.2018.0005
  5. restricted access
  1. From Deaf Republic
  2. Ilya Kaminsky
  3. pp. 37-44
  4. DOI: https://doi.org/10.1353/mar.2018.0006
  5. restricted access
  1. The Beasts
  2. Roberto Arlt, Sergio Waisman
  3. pp. 45-56
  4. DOI: https://doi.org/10.1353/mar.2018.0007
  5. restricted access
  1. Bruise Music
  2. Peter Laberge
  3. p. 57
  4. DOI: https://doi.org/10.1353/mar.2018.0008
  5. restricted access
  1. Shelter
  2. Chris Poole
  3. pp. 58-74
  4. DOI: https://doi.org/10.1353/mar.2018.0009
  5. restricted access
  1. Gardener in a Swimsuit
  2. Jacinto Lucas Pires, Dean Thomas Ellis
  3. pp. 75-77
  4. DOI: https://doi.org/10.1353/mar.2018.0010
  5. restricted access
  1. Soma
  2. Kenan Orhan
  3. pp. 78-90
  4. DOI: https://doi.org/10.1353/mar.2018.0011
  5. restricted access
  1. On Cursing
  2. DeWitt Henry
  3. pp. 91-96
  4. DOI: https://doi.org/10.1353/mar.2018.0012
  5. restricted access
  1. Adopted Ancestors
  2. Amy Johnquest
  3. pp. 97-104
  4. DOI: https://doi.org/10.1353/mar.2018.0013
  5. restricted access
  1. Very Tall Mushrooms
  2. Gregory Fraser
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/mar.2018.0014
  5. restricted access
  1. The Mouth's Ability
  2. Josh Rathkamp
  3. p. 107
  4. DOI: https://doi.org/10.1353/mar.2018.0015
  5. restricted access
  1. Miss Bruna
  2. Marilia Arnaud, Ilze Duarte
  3. pp. 108-117
  4. DOI: https://doi.org/10.1353/mar.2018.0016
  5. restricted access
  1. The Man from the Zoo
  2. Dariel Suarez
  3. pp. 118-132
  4. DOI: https://doi.org/10.1353/mar.2018.0017
  5. restricted access
  1. Mr. Rodrigo's Identification Company
  2. Ruvanee Pietersz Vilhauer
  3. pp. 133-144
  4. DOI: https://doi.org/10.1353/mar.2018.0018
  5. restricted access
  1. A Defense of the Artist-Critic: Part Two of Two
  2. Patrick Thomas Henry
  3. pp. 145-161
  4. DOI: https://doi.org/10.1353/mar.2018.0019
  5. restricted access
  1. Kenning Season
  2. Susannah Mandel
  3. pp. 162-169
  4. DOI: https://doi.org/10.1353/mar.2018.0020
  5. restricted access
  1. Vespers
  2. Mary Morris
  3. p. 170
  4. DOI: https://doi.org/10.1353/mar.2018.0021
  5. restricted access
  1. At the Open House
  2. Jona Colson
  3. p. 171
  4. DOI: https://doi.org/10.1353/mar.2018.0022
  5. restricted access
  1. Like Jesus He Rises from His Hospice Bed
  2. Lori Schainuck
  3. p. 172
  4. DOI: https://doi.org/10.1353/mar.2018.0023
  5. restricted access
  1. Burn Rubber
  2. Lara Ehrlich
  3. pp. 173-179
  4. DOI: https://doi.org/10.1353/mar.2018.0024
  5. restricted access
  1. Notes on Contributors
  3. pp. 180-182
  4. DOI: https://doi.org/10.1353/mar.2018.0025
  5. restricted access