1. The Robert H. Elias Essay Prize
  2. Roark Mulligan
  3. p. vii
  4. DOI: 10.1353/san.2017.0008
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  1. Women's Agency, Adoption, and Class in Theodore Dreiser's Delineator and Jennie Gerhardt
  2. Jude Davies
  3. pp. 141-170
  4. DOI: 10.1353/san.2017.0009
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  1. The Snark in Samoa: Photography, Privacy, and the Colonial Gaze
  2. Heather Waldroup
  3. pp. 171-199
  4. DOI: 10.1353/san.2017.0010
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  1. Aging Athletes, Broken Bodies, and Disability in Jack London's Prizefighting Prose
  2. Cara Erdheim Kilgallen
  3. pp. 200-219
  4. DOI: 10.1353/san.2017.0011
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  1. The "Queer Shadow" of Ogden Codman in Edith Wharton's Summer
  2. Emily J. Orlando
  3. pp. 220-243
  4. DOI: 10.1353/san.2017.0012
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  1. Haunting Realities: Naturalist Gothic and American Realism ed. by Monika Elbert and Wendy Ryden (review)
  2. Mary E. Papke
  3. pp. 244-250
  4. DOI: 10.1353/san.2017.0013
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  1. The Titan by Theodore Dreiser (review)
  2. James M. Hutchisson
  3. pp. 251-253
  4. DOI: 10.1353/san.2017.0014
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  1. The Muckers: A Narrative of the Crapshooters Club by William Osborne Dapping (review)
  2. Rebecca Troeger
  3. pp. 253-258
  4. DOI: 10.1353/san.2017.0015
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