1. All Our Names
  2. Nathan L. Grant
  3. pp. 343-344
  4. DOI: 10.1353/afa.2017.0044
  5. restricted access contents
  1. Move!, and: Sounding, and: Masked Angel Costume
  2. Amiri Baraka
  3. pp. 345-351
  4. DOI: 10.1353/afa.2017.0045
  5. restricted access contents
  1. Homebound: Homeground, and: A Coltrane Poem: 9 23 98, and: Meditation for Inese, and: An Umbrella of Maple Leaves
  2. Michael S. Harper
  3. pp. 352-356
  4. DOI: 10.1353/afa.2017.0046
  5. restricted access contents
  1. The Black Experience Cannot Be Defined in One Way; The Black Experience Cannot Be Summed Up in One Word and: Get Along Cindy
  2. Clarence Major
  3. pp. 357-358
  4. DOI: 10.1353/afa.2017.0047
  5. restricted access contents
  1. Four from Chapultepec
  2. Jay Wright
  3. pp. 359-360
  4. DOI: 10.1353/afa.2017.0048
  5. restricted access contents
  1. It Goes Deep; It’s Nothing and: For the Poets (Christopher Okigbo and Henry Dumas)
  2. Jayne Cortez
  3. pp. 361-363
  4. DOI: 10.1353/afa.2017.0049
  5. restricted access contents
  1. Ivory Masks in Orbit
  2. W. Keorapetse Kgositsile
  3. p. 364
  4. DOI: 10.1353/afa.2017.0050
  5. restricted access contents
  1. Portrait; Children and: Reading Poetry by Henry Dumas While Listening to Cool Jazz
  2. Pinkie Gordon Lane
  3. pp. 365-367
  4. DOI: 10.1353/afa.2017.0051
  5. restricted access contents
  1. Black Power
  2. Horace Coleman
  3. p. 368
  4. DOI: 10.1353/afa.2017.0052
  5. restricted access contents
  1. Perhaps
  2. Bob Kaufman
  3. p. 369
  4. DOI: 10.1353/afa.2017.0053
  5. restricted access contents
  1. Umbra Poets, 1980
  2. Tom Dent, Lorenzo Thomas, Askia Muhammad Touré, Calvin Hernton
  3. pp. 370-374
  4. DOI: 10.1353/afa.2017.0054
  5. restricted access contents
  1. Sometimie Woman
  2. Amina Baraka
  3. p. 375
  4. DOI: 10.1353/afa.2017.0055
  5. restricted access contents
  1. Telephone Conversations
  2. Gwendolyn Brooks
  3. p. 376
  4. DOI: 10.1353/afa.2017.0056
  5. restricted access contents
  1. The Night She Dreamed She Was Mad; the sculpture at night; The House is the Enemy; beau monde and: The Anesthesia is Taking Effect
  2. Toi Derricotte
  3. p. 377
  4. DOI: 10.1353/afa.2017.0057
  5. restricted access contents
  1. After the Heart’s Interrogation; From Across Years; Butterfly-Toed Shoes; Modern Medea and: Basilique
  2. Yusef Komunyakaa
  3. pp. 378-381
  4. DOI: 10.1353/afa.2017.0058
  5. restricted access contents
  1. New York Beirut Nagasaki; Spring, 1862; Dear Daughter and: Remembering Sally Hemings
  2. Gale P. Jackson
  3. pp. 382-386
  4. DOI: 10.1353/afa.2017.0059
  5. restricted access contents
  1. Painting in Sound
  2. John A. Williams
  3. pp. 387-389
  4. DOI: 10.1353/afa.2017.0060
  5. restricted access contents
  1. Messages: For Ntozake Shange, Secrets in Prophecy; In Paris on a Humble; Neo-African Sculpture; Enemies; The Southpaw; Thelonious; The Doves and: The Poets
  2. Michael S. Weaver
  3. pp. 390-398
  4. DOI: 10.1353/afa.2017.0061
  5. restricted access contents
  1. The First Suite (from a novel-in-progress)
  2. Rita Dove
  3. pp. 399-408
  4. DOI: 10.1353/afa.2017.0062
  5. restricted access contents
  1. Wings of the Dove
  2. Hal Bennett
  3. pp. 409-416
  4. DOI: 10.1353/afa.2017.0063
  5. restricted access contents
  1. Dumas
  2. Jabari Asim
  3. p. 417
  4. DOI: 10.1353/afa.2017.0064
  5. restricted access contents
  1. Ode
  2. Elizabeth Alexander
  3. p. 418
  4. DOI: 10.1353/afa.2017.0065
  5. restricted access contents
  1. Praise in Bluesville and: Tribal Differences
  2. Reggie Scott Young
  3. pp. 419-423
  4. DOI: 10.1353/afa.2017.0066
  5. restricted access contents
  1. Marvin Gaye’s Lament and: What can you do with a fan?
  2. Hermine Pinson
  3. pp. 424-427
  4. DOI: 10.1353/afa.2017.0067
  5. restricted access contents
  1. Hairpeace
  2. Pearl Cleage
  3. pp. 428-432
  4. DOI: 10.1353/afa.2017.0068
  5. restricted access contents
  1. my father is dead. again.
  2. Kalamu ya Salaam
  3. pp. 433-436
  4. DOI: 10.1353/afa.2017.0069
  5. restricted access contents
  1. Soon There Will Be None
  2. Ann Allen Shockley
  3. pp. 437-442
  4. DOI: 10.1353/afa.2017.0070
  5. restricted access contents
  1. The Fence
  2. Opal J. Moore
  3. pp. 443-450
  4. DOI: 10.1353/afa.2017.0071
  5. restricted access contents
  1. At the Owl Club, North Gulfport, Mississippi 1950; His Hands; Circa 1922 and: Gesture of a Woman in Process
  2. Natasha Trethewey
  3. pp. 451-454
  4. DOI: 10.1353/afa.2017.0072
  5. restricted access contents
  1. When the Neighbors Fight
  2. Terrance Hayes
  3. p. 455
  4. DOI: 10.1353/afa.2017.0073
  5. restricted access contents
  1. European Folktale Variant; Fancy Cortex and: Selection from Tanka Diary
  2. Harryette Mullen
  3. pp. 456-458
  4. DOI: 10.1353/afa.2017.0074
  5. restricted access contents
  1. Ante-Bellum, Autumn 1860, By Abraham Lincoln and: Letter to the (African Baptist) Messiah
  2. George Elliott Clarke
  3. pp. 459-463
  4. DOI: 10.1353/afa.2017.0075
  5. restricted access contents
  1. Communion; The Pine-Tree Sweetens My Body and: I’ll Take You to Africa
  2. Cyrus Cassells
  3. pp. 464-467
  4. DOI: 10.1353/afa.2017.0076
  5. restricted access contents
  1. Millie-Christine
  2. Marilyn Nelson
  3. pp. 468-471
  4. DOI: 10.1353/afa.2017.0077
  5. restricted access contents
  1. Song of the Andoumboulou: 93 and: Door Peep Shall Not Enter
  2. Nathaniel Mackey
  3. pp. 472-481
  4. DOI: 10.1353/afa.2017.0078
  5. restricted access contents
  1. The World’s Shortest African American Story
  2. Wanda Coleman
  3. p. 482
  4. DOI: 10.1353/afa.2017.0079
  5. restricted access contents
  1. Sunset
  2. Yaa Gyasi
  3. pp. 483-488
  4. DOI: 10.1353/afa.2017.0080
  5. restricted access contents
  1. The Branch of Thorns
  2. Gail Dore
  3. pp. 489-492
  4. DOI: 10.1353/afa.2017.0081
  5. restricted access contents
  1. And Another Passing: Jean Toomer
  2. Darwin T. Turner
  3. p. 493
  4. DOI: 10.1353/afa.2017.0082
  5. restricted access contents
  1. Literature and Politics: The Black Investment
  2. Gloria Oden
  3. pp. 494-495
  4. DOI: 10.1353/afa.2017.0083
  5. restricted access contents
  1. In Reply: Of Integrity, Hope and Dead Dialogue
  2. Hoyt Fuller
  3. pp. 495-496
  4. DOI: 10.1353/afa.2017.0084
  5. restricted access contents
  1. The Deification of Booker T. Washington
  2. Charles R. Larson
  3. pp. 497-498
  4. DOI: 10.1353/afa.2017.0085
  5. restricted access contents
  1. Black Idiom
  2. Geneva Smitherman
  3. pp. 499-505
  4. DOI: 10.1353/afa.2017.0086
  5. restricted access contents
  1. The White Critic in a Black World
  2. C. W. E. Bigsby
  3. pp. 506-512
  4. DOI: 10.1353/afa.2017.0087
  5. restricted access contents
  1. Balancing the Perspective, a Look at Early Black American Literary Artistry
  2. Houston A. Baker Jr.
  3. pp. 513-518
  4. DOI: 10.1353/afa.2017.0088
  5. restricted access contents
  1. Interview with Ed Bullins
  2. John O’Brien
  3. pp. 519-523
  4. DOI: 10.1353/afa.2017.0089
  5. restricted access contents
  1. Contemporary Militant Black Humor
  2. Daryl C. Dance
  3. pp. 524-529
  4. DOI: 10.1353/afa.2017.0090
  5. restricted access contents
  1. The Poetry of Black Experience as Counterpoint to the Poetry of the Black Aesthetic
  2. Sandra Govan
  3. pp. 530-534
  4. DOI: 10.1353/afa.2017.0091
  5. restricted access contents
  1. Afro-American Literature in the Soviet Union
  2. Boris Gilenson
  3. pp. 535-537
  4. DOI: 10.1353/afa.2017.0092
  5. restricted access contents
  1. Hatch-Billops Collection: Archives of Black American Cultural History
  2. James V. Hatch, Camille Billops
  3. pp. 538-539
  4. DOI: 10.1353/afa.2017.0093
  5. restricted access contents
  1. “For The Characters Are Myself”: Adrienne Kennedy’s Funnyhouse of a Negro
  2. Lorraine A. Brown
  3. pp. 540-542
  4. DOI: 10.1353/afa.2017.0094
  5. restricted access contents
  1. The Black Writer: A White Perspective
  2. Harry James Cargas
  3. pp. 543-545
  4. DOI: 10.1353/afa.2017.0095
  5. restricted access contents
  1. The Barbershop in Black Literature
  2. Trudier Harris
  3. pp. 547-553
  4. DOI: 10.1353/afa.2017.0096
  5. restricted access contents
  1. Teaching Black-Eyed Susans: An Approach to the Study of Black Women Writers
  2. Mary Helen Washington
  3. pp. 554-558
  4. DOI: 10.1353/afa.2017.0097
  5. restricted access contents
  1. Defining the Black Voice in Fiction
  2. John Wideman
  3. pp. 559-562
  4. DOI: 10.1353/afa.2017.0098
  5. restricted access contents
  1. “‘We Ain’t Going Back There’”: The Idea of Progress in The Autobiography of Miss Jane Pittman
  2. William L. Andrews
  3. pp. 563-566
  4. DOI: 10.1353/afa.2017.0099
  5. restricted access contents
  1. Chaos, Complexity and Possibility: The Historical Frequencies of Ralph Waldo Ellison
  2. John F. Callahan
  3. pp. 567-575
  4. DOI: 10.1353/afa.2017.0100
  5. restricted access contents
  1. An Interview with Elma Stuckey
  2. David Roediger
  3. pp. 576-578
  4. DOI: 10.1353/afa.2017.0101
  5. restricted access contents
  1. Introductory Remarks about the Black Literary Tradition in the United States of America
  2. Darwin T. Turner
  3. pp. 579-586
  4. DOI: 10.1353/afa.2017.0102
  5. restricted access contents
  1. Two Fighters on Film
  2. William Greaves
  3. pp. 587-589
  4. DOI: 10.1353/afa.2017.0103
  5. restricted access contents
  1. Notes on a Marxist Interpretation of Black American Literature
  2. Gloria T. Hull
  3. pp. 591-596
  4. DOI: 10.1353/afa.2017.0104
  5. restricted access contents
  1. Nella Larsen’s Passing: A Problem of Interpretation
  2. Claudia Tate
  3. pp. 597-601
  4. DOI: 10.1353/afa.2017.0105
  5. restricted access contents
  1. The Black Critic as Reader
  2. Jerry W. Ward Jr.
  3. pp. 603-605
  4. DOI: 10.1353/afa.2017.0106
  5. restricted access contents
  1. New Directions for Black Feminist Criticism
  2. Deborah E. McDowell
  3. pp. 606-612
  4. DOI: 10.1353/afa.2017.0107
  5. restricted access contents
  1. Black Autobiography and the Comic Vision
  2. Richard K. Barksdale
  3. pp. 613-618
  4. DOI: 10.1353/afa.2017.0108
  5. restricted access contents
  1. A Tribute to Hoyt W. Fuller (1927–1981), In Remembrance of Fire
  2. Chester J. Fontenot, Sterling Plumpp
  3. p. 619
  4. DOI: 10.1353/afa.2017.0109
  5. restricted access contents
  1. “In Respect to Females …”: Differences in the Portrayals of Women by Male and Female Narrators
  2. Frances Foster
  3. pp. 620-624
  4. DOI: 10.1353/afa.2017.0110
  5. restricted access contents
  1. Introduction: Criticism in De Jungle
  2. Henry Louis Gates Jr.
  3. pp. 625-629
  4. DOI: 10.1353/afa.2017.0111
  5. restricted access contents
  1. Negritude and Structuralism
  2. Sunday O. Anozie
  3. pp. 629-634
  4. DOI: 10.1353/afa.2017.0112
  5. restricted access contents
  1. The Critic and Society: Barthes, Leftocracy, and Other Mythologies
  2. Wole Soyinka
  3. pp. 635-648
  4. DOI: 10.1353/afa.2017.0113
  5. restricted access contents
  1. On Repetition in Black Culture
  2. James A. Snead
  3. pp. 648-656
  4. DOI: 10.1353/afa.2017.0114
  5. restricted access contents
  1. Structuralist Criticism and African Fiction: An Analytic Critique
  2. Anthony Appiah
  3. pp. 657-666
  4. DOI: 10.1353/afa.2017.0115
  5. restricted access contents
  1. “I Yam What I Am”: Naming and Unnaming in Afro-American Literature
  2. Kimberly W. Benston
  3. pp. 667-675
  4. DOI: 10.1353/afa.2017.0116
  5. restricted access contents
  1. The Distant Closeness of Dancing Doubles: Sterling Brown and William Carlos Williams
  2. Vera M. Kutzinski
  3. pp. 676-682
  4. DOI: 10.1353/afa.2017.0117
  5. restricted access contents
  1. Eruptions of Funk: Historicizing Toni Morrison
  2. Susan Willis
  3. pp. 683-691
  4. DOI: 10.1353/afa.2017.0118
  5. restricted access contents
  1. Formalism Comes to Harlem
  2. Hortense J. Spillers
  3. pp. 692-697
  4. DOI: 10.1353/afa.2017.0119
  5. restricted access contents
  1. The Sighted Eyes and Feeling Heart of Lorraine Hansberry
  2. Margaret B. Wilkerson
  3. pp. 698-703
  4. DOI: 10.1353/afa.2017.0120
  5. restricted access contents
  1. The Politics of Black Arts
  2. Woodie King Jr.
  3. p. 704
  4. DOI: 10.1353/afa.2017.0121
  5. restricted access contents
  1. The Free Southern Theatre, 1963–1979
  2. Geneviève Fabre
  3. pp. 705-709
  4. DOI: 10.1353/afa.2017.0122
  5. restricted access contents
  1. A Conversation with Etheridge Knight
  2. Sanford Pinsker
  3. pp. 711-714
  4. DOI: 10.1353/afa.2017.0123
  5. restricted access contents
  1. An Interview with Nikki Giovanni
  2. Carrington Bonner
  3. pp. 715-716
  4. DOI: 10.1353/afa.2017.0124
  5. restricted access contents
  1. Wright’s Native Son and Two Novels by Zola: A Comparative Study
  2. Robert James Butler
  3. pp. 717-722
  4. DOI: 10.1353/afa.2017.0125
  5. restricted access contents
  1. The Sexual Mountain and Black Women Writers
  2. Calvin Hernton
  3. pp. 723-729
  4. DOI: 10.1353/afa.2017.0126
  5. restricted access contents
  1. Beyond Black Macho: An Interview with Michele Wallace
  2. Karen Boorstein
  3. pp. 730-734
  4. DOI: 10.1353/afa.2017.0127
  5. restricted access contents
  1. The First Step of Becoming an Art Historian
  2. Hilton Als
  3. pp. 735-737
  4. DOI: 10.1353/afa.2017.0128
  5. restricted access contents
  1. On Behalf of Henry Dumas
  2. Toni Morrison
  3. pp. 739-741
  4. DOI: 10.1353/afa.2017.0129
  5. restricted access contents
  1. Henry Dumas’s World of Fiction
  2. Arnold Rampersad
  3. pp. 742-745
  4. DOI: 10.1353/afa.2017.0130
  5. restricted access contents
  1. Henry Dumas: The Poet of Resurrection
  2. Ishmael Reed
  3. p. 746
  4. DOI: 10.1353/afa.2017.0131
  5. restricted access contents
  1. Remembering Prof. Sterling A. Brown, 1901–1989
  2. Sherley Anne Williams
  3. pp. 747-749
  4. DOI: 10.1353/afa.2017.0132
  5. restricted access contents
  1. At the Heart of Shange’s Feminism: An Interview
  2. Neal A. Lester
  3. pp. 751-764
  4. DOI: 10.1353/afa.2017.0133
  5. restricted access contents
  1. Revision and (Re)membrance: A Theory of Literary Structures in Literature by African-American Women Writers
  2. Karla F. C. Holloway
  3. pp. 765-779
  4. DOI: 10.1353/afa.2017.0134
  5. restricted access contents
  1. Black Macho Revisited: Reflections of a Snap! Queen
  2. Marlon T. Riggs
  3. pp. 781-786
  4. DOI: 10.1353/afa.2017.0135
  5. restricted access contents
  1. An Interview with Charles Burnett
  2. Bérénice Reynaud
  3. pp. 787-798
  4. DOI: 10.1353/afa.2017.0136
  5. restricted access contents
  1. Thoughts and Concepts: The Making of Ashes and Embers
  2. Haile Gerima
  3. pp. 799-814
  4. DOI: 10.1353/afa.2017.0137
  5. restricted access contents
  1. Micheaux: Celebrating Blackness
  2. Bell Hooks
  3. pp. 815-824
  4. DOI: 10.1353/afa.2017.0138
  5. restricted access contents
  1. Encounters: The Film Odyssey of Camille Billops
  2. Barbara Lekatsas
  3. pp. 825-838
  4. DOI: 10.1353/afa.2017.0139
  5. restricted access contents
  1. “The Subject is Money”: Reconsidering the Black Film Audience as a Theoretical Paradigm
  2. Jacqueline Bobo
  3. pp. 839-850
  4. DOI: 10.1353/afa.2017.0140
  5. restricted access contents
  1. Are You as Colored as That Negro?: The Politics of Being Seen in Julie Dash’s Illusions
  2. S. V. Hartman, Farah Jasmine Griffin
  3. pp. 851-863
  4. DOI: 10.1353/afa.2017.0141
  5. restricted access contents
  1. The Enigma of Arrival: The Wonderful Adventures of Mrs. Seacole in Many Lands
  2. Sandra Pouchet Paquet
  3. pp. 864-876
  4. DOI: 10.1353/afa.2017.0142
  5. restricted access contents
  1. African-American Critical Discourse and the Invention of Cultural Identities
  2. Tejumola Olaniyan
  3. pp. 877-889
  4. DOI: 10.1353/afa.2017.0143
  5. restricted access contents
  1. Albert Murray: Literary Reconstruction of the Vernacular Community
  2. Warren Carson
  3. pp. 890-898
  4. DOI: 10.1353/afa.2017.0144
  5. restricted access contents
  1. Noir by Noirs: Towards a New Realism in Black Cinema
  2. Manthia Diawara
  3. pp. 899-911
  4. DOI: 10.1353/afa.2017.0145
  5. restricted access contents
  1. “I was a weird example of Art”: My Amputations as Cubist Confession
  2. Stuart Klawans
  3. pp. 912-922
  4. DOI: 10.1353/afa.2017.0146
  5. restricted access contents
  1. Disseminating Heterotopia
  2. Robert F. Reid-Pharr
  3. pp. 923-933
  4. DOI: 10.1353/afa.2017.0147
  5. restricted access contents
  1. Black Music On Radio During the Jazz Age
  2. William Barlow
  3. pp. 934-937
  4. DOI: 10.1353/afa.2017.0148
  5. restricted access contents
  1. Popular Fronts: Negro Story Magazine and the African American Literary Response to World War II
  2. Bill Mullen
  3. pp. 938-948
  4. DOI: 10.1353/afa.2017.0149
  5. restricted access contents
  1. The Black Church and the Harlem Renaissance
  2. Jon Michael Spencer
  3. pp. 949-956
  4. DOI: 10.1353/afa.2017.0150
  5. restricted access contents
  1. Oxherding Tale and Siddhartha: Philosophy, Fiction, and the Emergence of a Hidden Tradition
  2. Rudolph P. Byrd
  3. pp. 957-966
  4. DOI: 10.1353/afa.2017.0151
  5. restricted access contents
  1. Reading Rice: A Local Habitation and a Name
  2. Kwame Dawes
  3. pp. 967-977
  4. DOI: 10.1353/afa.2017.0152
  5. restricted access contents
  1. A Transplant That Did Not Take: August Wilson’s Views on the Great Migration
  2. Sandra G. Shannon
  3. pp. 979-986
  4. DOI: 10.1353/afa.2017.0153
  5. restricted access contents
  1. “In the Land of Cotton”: Economics and Violence in Jean Toomer’s Cane
  2. Barbara Foley
  3. pp. 987-1004
  4. DOI: 10.1353/afa.2017.0154
  5. restricted access contents
  1. “Mislike Me Not for My Complexion…”: Ira Aldridge in Whiteface
  2. Bernth Lindfors
  3. pp. 1005-1012
  4. DOI: 10.1353/afa.2017.0155
  5. restricted access contents
  1. Angularity: An Interview with Leon Forrest
  2. Keith Byerman
  3. pp. 1013-1024
  4. DOI: 10.1353/afa.2017.0156
  5. restricted access contents
  1. Sugarcane as History in Paule Marshall’s “To Da-Duh, in Memoriam”
  2. Martin Japtok
  3. pp. 1025-1032
  4. DOI: 10.1353/afa.2017.0157
  5. restricted access contents
  1. Discipline and Craft: An Interview with Sonia Sanchez
  2. Susan Kelly
  3. pp. 1033-1041
  4. DOI: 10.1353/afa.2017.0158
  5. restricted access contents
  1. “A Gentleman of Superior Cultivation and Refinement”: Recovering the Biography of Frank J. Webb
  2. Eric Gardner
  3. pp. 1043-1054
  4. DOI: 10.1353/afa.2017.0159
  5. restricted access contents
  1. Baraka’s Billie Holiday as a Blues Poet of Black Longing
  2. Farah Jasmine Griffin
  3. pp. 1055-1062
  4. DOI: 10.1353/afa.2017.0160
  5. restricted access contents
  1. The Christian Recorder, Broken Families, and Educated Nations in Julia C. Collins’s Civil War Novel The Curse of Caste
  2. P. Gabrielle Foreman
  3. pp. 1063-1074
  4. DOI: 10.1353/afa.2017.0161
  5. restricted access contents
  1. Intimate Intercessions in the Poetry of Paul Laurence Dunbar
  2. Joanne Gabbin
  3. pp. 1075-1079
  4. DOI: 10.1353/afa.2017.0162
  5. restricted access contents
  1. An Interview with Edward P. Jones
  2. Maryemma Graham
  3. pp. 1081-1098
  4. DOI: 10.1353/afa.2017.0163
  5. restricted access contents
  1. True Terror: The Haunting of Spike Lee’s 25th Hour
  2. Derik Smith
  3. pp. 1099-1114
  4. DOI: 10.1353/afa.2017.0164
  5. restricted access contents
  1. Launching Black American Literature Forum, the Progenitor of African American Review
  2. Joe Weixlmann
  3. pp. 1115-1120
  4. DOI: 10.1353/afa.2017.0165
  5. restricted access contents
  1. Index of Previously Published Works
  3. pp. 1121-1124
  4. DOI: 10.1353/afa.2017.0166
  5. restricted access contents