In this Issue

Table of Contents

"Every Day You are a New Person": Narration and Cosmopolitan Universalism in Jean Rhys's after Leaving Mr. Mackenzie

Jason R. Marley
pp. 1-26
DOI: https://doi.org/10.13110/criticism.59.1.0001
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Photography from the Inside Out: Robert Frank's Memorial Images

Benjamin Pollak
pp. 27-48
DOI: https://doi.org/10.13110/criticism.59.1.0027
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Charles Reznikoff's 1934 Testimony and the Idiom of American Violence

Justin Parks
pp. 49-73
DOI: https://doi.org/10.13110/criticism.59.1.0049
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Psychoanalytic Thinking and the Sexual Politics of Style

Scott St. Pierre
pp. 75-98
DOI: https://doi.org/10.13110/criticism.59.1.0075
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Touching Time: Poetry, History, and the Erotics of Yiddish

Zohar Weiman-Kelman
pp. 99-121
DOI: https://doi.org/10.13110/criticism.59.1.0099
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Reparative Social Media: Resonance and Critical Cosmopolitanism in Digital Art

Rochelle Gold
pp. 123-147
DOI: https://doi.org/10.13110/criticism.59.1.0123
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"Uneasy Hinges" and "Secret Signals"

Sarah Ruddy
pp. 149-154
DOI: https://doi.org/10.13110/criticism.59.1.0149
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Suffering the Modernist Legacy of Husserlian Phenomenology

James J. Hodge
pp. 155-160
DOI: https://doi.org/10.13110/criticism.59.1.0155
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Thicker than Water

Elizabeth Mazzola
pp. 161-164
DOI: https://doi.org/10.13110/criticism.59.1.0161
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Towards an Ethico-Aesthetic Paradigm: Animal Politics, Metamod-Elization, and The Pragmatics of Mutual Inclusion

Colin Gardner
pp. 165-169
DOI: https://doi.org/10.13110/criticism.59.1.0165
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The (Un)Bearable Lightness of Sex

Roel van den Oever
pp. 171-174
DOI: https://doi.org/10.13110/criticism.59.1.0171
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