In this Issue

Table of Contents

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Girl Talk and Hold Music: On the Sculptural Poetics of Chat

Amalle Dublon
pp. 2-3
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Performance and Reproduction: Introduction

Beth Capper, Rebecca Schneider
pp. 8-13
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Black Cinematic Gesture and the Aesthetics of Contagion

Rizvana Bradley
pp. 14-30
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The Wallflower Order and Social Reproduction: Gender, Work, and Feminist Dance

Olive Mckeon
pp. 31-45
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The Queer of Color's Mother: Ryan Rivera, Audre Lorde, Martin Wong, Danh Vō

Joshua Chambers-Letson
pp. 46-59
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In the Interstice: Lorraine O'Grady's Interruptive Performances and the Circuits of (Feminist) Reproduction

Beth Capper
pp. 60-78
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Reproducing the White Bourgeois: The Sitting-Room Drama of Marina Abramović

Eleanor Skimin
pp. 79-97
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Performing the "Foreign Maid" in the Global Market

Jimena Ortuzar
pp. 98-112
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Strike Debt's Rolling Jubilee: The Promise and the Performativity of Financial Contracts

Christian Riley Nagler
pp. 113-130
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Times of Dispossession and (Re)possession: An Interview with Silvia Federici

Arlen Austin, Beth Capper, Rebecca Schneider
pp. 131-142
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Reproducing Witchcraft: Thou Shalt Not Perform a Witch to Live

VK Preston
pp. 143-159
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Introduction

Beth Capper, Rebecca Schneider
pp. 161-162
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Full Collection: Black Performance and Reproduction: A Set of Four Essays in a Round

Beth Capper, Rebecca Schneider, Kimberly Juanita Brown, Sarah Jane Cervenak, Jasmine Elizabeth Johnson, Paige A. McGinley
pp. 161-175
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Erykah Badu's Ambulatory Acts

Kimberly Juanita Brown
pp. 162-166
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"Black Night Is Falling": The "Airy Poetics" of Some Performance

Sarah Jane Cervenak
pp. 166-169
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Casualties

Jasmine Elizabeth Johnson
pp. 169-171
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Generational Schism, Fannie Lou Hamer, and the Future of Protest

Paige A. McGinley
pp. 172-175
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"Be Uncomfortable with Me for a Moment": Performing an Uneasy Solidarity in the New Black Fest's Hands Up: 7 Playwrights, 7 Testaments

Catherine Ming T'ien Duffly
pp. 176-181
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Street Theatre East of Eden: The 10th International Street Theatre Festival in Mariwan, Iran

Doug Paterson
pp. 182-190
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Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images

Tony Perucci
pp. 191-200
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How Do You Play Bones?: Pia Lindman's A Kalevala Duo, Playing Bones

Beth Hinderliter
pp. 201-206
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It's All Allowed: The Performances of Adrian Howells ed. by Deirdre Heddon and Dominic Johnson (review)

Christopher Grobe
pp. 207-208
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Disabled Theater ed. by Sandra Umathum and Benjamin Wihstutz (review)

Pablo Assumpção Barros Costa
pp. 209-210
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Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance by Brian Eugenio Herrera (review)

Frances Negrón-Muntaner
pp. 211-213
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Dancing with the Zapatistas ed. by Diana Taylor and Lorie Novak (review)

Christen Sperry-Garcia
pp. 213-214
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Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)

Maggie B. Gale
pp. 215-216
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Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–1991 by Branislav Jakovljević (review)

Matthew Goulish
pp. 216-219
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Memories of the Revolution: The First Ten Years of the WOW Café Theater ed. by Holly Hughes, Carmelita Tropicana, and Jill Dolan, and: The Only Way Home is Through the Show: Performance Work of Lois Weaver ed. by Jen Harvie and Lois Weaver (review)

Megan Shea
pp. 219-222
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More Books

Michell Nicole Miller
pp. 222-224
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