1. Editor's Note
  2. Bruce R. Burningham
  3. pp. 7-8
  4. DOI: 10.1353/cer.2017.0016
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  1. Galeotto fu 'l libro: Don Quixote, Amadis, and The Tempest
  2. Frederick de Armas
  3. pp. 9-34
  4. DOI: 10.1353/cer.2017.0017
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  1. El Magreb, pluralidad y memoria: Cervantes y las crónicas de Berbería en "La historia del cautivo."
  2. Mar Martínez Góngora
  3. pp. 35-67
  4. DOI: 10.1353/cer.2017.0018
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  1. Strategic and Communicative Action in Don Quijote: Fernando and Alonso Quijano
  2. Charles Oriel
  3. pp. 69-87
  4. DOI: 10.1353/cer.2017.0019
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  1. Dos "Gallardos" teatrales: El "catalán" de Lope de Vega y el "español" de Cervantes
  2. Alfredo Baras Escolá
  3. pp. 89-113
  4. DOI: 10.1353/cer.2017.0020
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  1. Free Will and Indeterminacy in Cervantes: From Molina to Heisenberg…and Beyond!
  2. Bradley J. Nelson
  3. pp. 115-141
  4. DOI: 10.1353/cer.2017.0021
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  1. Ficino in Spain by Susan Byrne (review)
  2. Michael J. B. Allen
  3. pp. 203-205
  4. DOI: 10.1353/cer.2017.0024
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  1. El teatro de Miguel de Cervantes by Ignacio García Aguilar, Luis Gómez Canseco, and Adrián J. Sáez (review)
  2. Edward H. Friedman
  3. pp. 205-207
  4. DOI: 10.1353/cer.2017.0025
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  1. La información en Argel de Miguel de Cervantes: Entre ficción y documento by Pina Rosa Piras (review)
  2. Felipe Ruan
  3. pp. 207-212
  4. DOI: 10.1353/cer.2017.0026
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  1. Del teatro a la novela: El ritual del disfraz en las Novelas Ejemplares de Cervantes by Eduardo Olid Guerrero (review)
  2. Michael J. McGrath
  3. pp. 212-215
  4. DOI: 10.1353/cer.2017.0027
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  1. Fighting Melancholia: Don Quixote's Teaching by Françoise Davoine (review)
  2. Howard Mancing
  3. pp. 215-219
  4. DOI: 10.1353/cer.2017.0028
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  1. Contributor
  2. pp. 221-224
  3. DOI: 10.1353/cer.2017.0029
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