1. Main alchimique et transmutation des signes dans L’Histoire veritable, ou le Voyage des princes fortunez de Béroalde de Verville
  2. Dorothea Heitsch
  3. pp. 175-199
  4. DOI: 10.1353/frf.2017.0022
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  1. Chateaubriand and the Mourning of (New) France
  2. Benjamin Hoffmann
  3. pp. 201-216
  4. DOI: 10.1353/frf.2017.0023
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  1. Lyric and Memory: Marceline Desbordes-Valmore’s “Tristesse”
  2. Katherine Lunn-Rockliffe
  3. pp. 217-232
  4. DOI: 10.1353/frf.2017.0024
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  1. Heredity Beyond the Rougon-Macquart: The Case of Travail
  2. Ana Oancea
  3. pp. 233-248
  4. DOI: 10.1353/frf.2017.0025
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  1. Politique de la violence sexuelle chez les victimes masculines dans Algérie roman de René-Nicolas Ehni
  2. Dominique Fisher
  3. pp. 249-263
  4. DOI: 10.1353/frf.2017.0026
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  1. “Tout vu, rien inventé”: Hiroshima mon amour dans l’œuvre de Chloé Delaume
  2. Marie-Chantal Killeen
  3. pp. 265-279
  4. DOI: 10.1353/frf.2017.0027
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  1. Satiric Literature for an Education System in Crisis: Mohamed Nedali’s Grâce à Jean de la Fontaine!
  2. Erin Twohig
  3. pp. 281-297
  4. DOI: 10.1353/frf.2017.0028
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  1. Dispersions et failles: Courtilz de Sandras ou l’identité incertaine
  2. Zeina Hakim
  3. pp. 299-312
  4. DOI: 10.1353/frf.2017.0029
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  1. André Bazin: Une ontologie négative du cinéma?
  2. Ludovic Cortade
  3. pp. 313-326
  4. DOI: 10.1353/frf.2017.0030
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  1. Is Theory Good for the Jews? French Thought and the Challenge of the New Antisemitism by Bruno Chaouat (review)
  2. Gerald Prince
  3. pp. 327-329
  4. DOI: 10.1353/frf.2017.0031
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  1. Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmakers in France since 2000 by Will Higbee (review)
  2. Mouna Benbouazza
  3. pp. 329-331
  4. DOI: 10.1353/frf.2017.0032
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  1. Oriental Interiors: Design, Identity, Space ed. by John Potvin (review)
  2. Corbin Treacy
  3. pp. 331-334
  4. DOI: 10.1353/frf.2017.0033
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  1. Books Received
  3. pp. 335-336
  4. DOI: 10.1353/frf.2017.0034
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