In this Issue
Canadian Theatre Review is the major magazine of record for Canadian theatre. It is committed to excellence in the critical analysis and innovative coverage of current developments in Canadian theatre, to advocating new issues and artists, and to publishing at least one significant new playscript per issue. The editorial board is committed to CTR's practice of theme issues that present multi-faceted and in-depth examinations of the emerging issues of the day and to expanding the practice of criticism in Canadian theatre and to the development of new voices.
published byUniversity of Toronto Press
viewing issueVolume 173, Winter 2018
Table of Contents
A series of archival documents give us glimpses into Theatre Yes’s pan-Canadian and immersive Anxiety in Edmonton. And, for the walls of immersive theatre fans, a pop-out centerfold poster maps the journey of the artefacts and the cross-country collaborations of Anxiety’s participating companies: Northern Light Theatre (Edmonton), Theatre SKAM (Victoria), LoHiFi Productions (Halifax), Curtain Razors (Regina), Théâtre à corps perdus (Montreal), and Outside the March (Toronto).
Views and Reviews
Step into the immersive worlds created by six experimental theatre companies when they received mysterious props in the mail from Theatre Yes. A short documentary takes you inside Theatre Yes’ Anxiety, a pan-Canadian collaboration featuring six, ten-minute installations created by some of Canada’s most adventurous small theatre companies: Northern Light Theatre (Edmonton), Theatre SKAM (Victoria), Outside the March (Toronto), LoHiFi Production (Halifax), Curtain Razors (Regina), and Théâtre à corps perdus (Montreal).