In this Issue

Table of Contents

E-mmersion

Natalie Alvarez, Aaron Willis
pp. 5-8
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BRANTWOOD: Canada’s Largest Experiment in Immersive Theatre

Julie Tepperman, Mitchell Cushman
pp. 9-14
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Deep Lez Immersion: A Conversation with Killjoy’s Kastle Creators Deirdre Logue and Allyson Mitchell

Moynan King
pp. 15-20
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Approaching Ambient Drama: Reflections on Two Immersive Experiments

Alex McLean, Kate Cayley, Stewart Legere
pp. 21-25
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For This Land

Jackson 2bears, Janet Rogers
pp. 26-30
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Head Under

Kendra Fanconi
pp. 31-35
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Fear + Time

Heather Inglis
pp. 36-47
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Sound Immersion

Adrienne Wong
pp. 48-52
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Gargantuan: The Thrills and Challenges of Creating Immersive Theatre

Mark Hopkins, Charles Netto
pp. 53-58
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The Making of Nightmare Dream

Mumbi Tindyebwa, Motion
pp. 59-64
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Origin Story: SKAMpede

Matthew Payne
pp. 65-70
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By Fire

Ken Schwartz
pp. 71-74
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Second Person, Singular

Alex Dault, Liam Karry
pp. 75-78
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DECLARATION: When Indians Act

Andy Moro
pp. 79-84
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Editorial: Radical Rehearsals

Kimberley McLeod
pp. 85-86
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Why Theatre Now?

Alan Filewod
pp. 87-88
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Sovereignty, Spirituality and Resurgence: A Proud Indigenous Theatre Community

Lindsay Lachance
pp. 89-91
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When More Is More (or Too Much?): Multiple Languages on the Stage

Piet Defraeye
pp. 92-94
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Raising the Tent on Circus Research: A Review of Cirque Global: Quebec’s Expanding Circus Boundaries

Zita Nyarady
pp. 95-97
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Between the Archive and the Repertoire: History, Memory, Performance

Isabel Stowell-Kaplan
pp. 98-100
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