In this Issue

Table of Contents

The Mysterious Matthew Novell: An English Imitator of Corelli

Michael Talbot
pp. 343-364
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Concert Song and Concert Speech Around 1800

Lodewijk Muns
pp. 365-393
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Landscape—Rhythm—Memory: Contexts for Mapping the Music of George Enescu

Benedict Taylor
pp. 394-437
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The Textility of Marking: Performers' Annotations as Indicators of the Creative Process in Performance

Emily Payne, Floris Schuiling
pp. 438-464
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Virtualität im Minnesang um 1200: Transdisziplinäre Analysen by Nicolas Mittler (review)

Henry Hope
pp. 465-468
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Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy by Victor Coelho and Keith Polk (review)

Uri Smilansky
pp. 468-470
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Interactions between Orality and Writing in Early Modern Italian Culture eds. by Luca Degl'Innocenti, Brian Richardson, and Chiara Sbordoni, and: Voices and Texts in Early Modern Italian Society eds. by Stefano Dall'Aglio, Brian Richardson, and Massimo Rospocher (review)

Noel O'Regan
pp. 470-472
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Angel Song: Medieval English Music in History by Lisa Colton (review)

James Cook
pp. 472-474
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Biagio Marini: Madrigali et Symfonie by Aurelio Bianco and Sara Dieci (review)

Rebecca Cypess
pp. 474-477
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Adam Michna of Otradovice - Composer: Perspectives on Seventeenth-Century Sacred Music in Czech Lands by Jiří Sehnal (review)

John Tyrrell
pp. 477-478
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Cherubino's Leap: In Search of the Enlightenment Moment by Richard Kramer (review)

Martin Nedbal
pp. 478-480
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Grétry's Operas and the French Public: From the Old Regime to the Restoration by R. J. Arnold (review)

Julia Doe
pp. 480-483
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The Musical Life of Nineteenth-Century Belfast by Roy Johnston and Declan Plummer (review)

Michael Murphy
pp. 483-485
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Alexander Serov and the Birth of the Russian Modern by Paul du Quenoy (review)

Rutger Helmers
pp. 485-487
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Musiktheater in Raum und Zeit: Beiträge zur Geschichte der Theaterpraxis in Mitteleuropa im 19. und 20. Jahrhundert ed. by Vladimír Zvara (review)

John Tyrrell
pp. 487-488
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Late Style and its Discontents: Essays in Art, Literature, and Music ed. by Gordon McMullen and Sam Smiles (review)

Sarah Collins
pp. 489-492
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Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film by Richard Leppert (review)

Christin Hoene
pp. 492-493
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Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 eds. by Laurel Parsons and Brenda Ravenscroft (review)

Annika Forkert
pp. 493-496
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The Oxford Handbook of Music and Virtuality eds. by Sheila Whiteley and Shara Rambarran (review)

Deirdre Loughridge
pp. 497-498
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Tracing Tangueros: Argentine Tango Instrumental Music by Kacey Link and Kristin Wendland (review)

Yuiko Asaba
pp. 498-500
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Flamenco, Regionalism and Musical Heritage in Southern Spain by Matthew Machin-Autenrieth (review)

Jonathan H. Shannon
pp. 500-502
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A Latin American Music Reader: Views from the South eds. by Javier F. Léon and Helena Simonett (review)

Leonardo J. Waisman
pp. 502-505
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Musicians in Transit: Argentina and the Globalization of Popular Music by Matthew B. Karush (review)

Vera Wolkowicz
pp. 505-507
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Contemporary Worship Music and Everyday Musical Lives by Mark Porter (review)

Tom Wagner
pp. 507-509
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The Westrup Prize

p. 510
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Recipients of 'Music & Letters' Awards

p. 510
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'Music & Letters' Centenary Prize Competition

p. 513
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'Music & Letters' Awards

p. 513
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Authors of Articles in this Issue

pp. 513-514
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Books Received

pp. 515-518
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