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Table of Contents

  1. Greetings from the Editor
  2. Deborah A. Logan
  3. p. 100
  4. DOI: https://doi.org/10.1353/vct.2017.0009
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  1. Interpreting Divine Unity: Harriet Martineau’s Interreligious Essays
  2. Susanne Calhoun
  3. pp. 101-115
  4. DOI: https://doi.org/10.1353/vct.2017.0010
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  1. The Possibility of Taking a Walk: Jane Eyre’s Persistent Mobility
  2. Trish Bredar
  3. pp. 116-129
  4. DOI: https://doi.org/10.1353/vct.2017.0011
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  1. Special Section: Women of the Press in the 1890s
  2. Alyson Hunt
  3. pp. 130-133
  4. DOI: https://doi.org/10.1353/vct.2017.0012
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  1. “Thank God for the Public Press, Which Sheds Its Strong White Light on All the Dark Corners of the Earth!”: Ada Nield Chew’s Journey From Factory Girl To Author-Activist
  2. Kirsty Bunting
  3. pp. 134-147
  4. DOI: https://doi.org/10.1353/vct.2017.0013
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  1. Alice Meynell: Production, Reproduction, and the World of Work in the 1890s
  2. F. Elizabeth Gray
  3. pp. 148-161
  4. DOI: https://doi.org/10.1353/vct.2017.0014
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  1. “What you write down is going to the press”: Margaret Harkness’s Accounts of the 1889 London Dockworkers’ Strike
  2. Flore Janssen
  3. pp. 162-174
  4. DOI: https://doi.org/10.1353/vct.2017.0015
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  1. “As it was not ungrammatical, though of a chatty tendency, it seemed to please”: Lady Violet Greville, “Aristocratic Lady Journalist” of the 1890s
  2. Sharon E. Cogdill
  3. pp. 175-188
  4. DOI: https://doi.org/10.1353/vct.2017.0016
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  1. Edith Simcox and La Chose Jugée
  2. Brenda Ayres
  3. pp. 189-204
  4. DOI: https://doi.org/10.1353/vct.2017.0017
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  1. “No Fixed Address”: Elizabeth Banks, the New Woman on Fleet Street
  2. Jane S. Gabin
  3. pp. 205-213
  4. DOI: https://doi.org/10.1353/vct.2017.0018
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  1. Contributors
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/vct.2017.0019
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