1. Editor's Note
  2. Rebecca Rovit
  3. pp. 7-8
  4. DOI: 10.1353/dtc.2017.0018
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  1. Bathing in Liminality: Soaking Up History in Hot Springs, Arkansas
  2. David J. Eshelman
  3. pp. 9-28
  4. DOI: 10.1353/dtc.2017.0019
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  1. Shakespeare as Ecodrama: Ecofeminism and Nonduality in Pericles, Prince of Tyre
  2. Miriam Kammer
  3. pp. 29-48
  4. DOI: 10.1353/dtc.2017.0020
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  1. The Embodied Apophaticism of Tony Kushner's Homebody/Kabul
  2. Claire Maria Chambers
  3. pp. 49-66
  4. DOI: 10.1353/dtc.2017.0021
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  1. "There Is a Limit to the Magic Powers of Language": Will Eno and the Dispossession of Being
  2. Marc Silverstein
  3. pp. 67-90
  4. DOI: 10.1353/dtc.2017.0022
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  1. Gesturing toward Queer Utopia: The Children's World of Paula Vogel's And Baby Makes Seven
  2. Vanessa Campagna
  3. pp. 107-126
  4. DOI: 10.1353/dtc.2017.0024
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  1. British Theatre and Performance 1900-1950 by Rebecca D'Monté
  2. Brian E. G. Cook
  3. pp. 129-130
  4. DOI: 10.1353/dtc.2017.0025
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  1. British Drama of the Industrial Revolution by Frederick Burwick
  2. Victor Emeljanow
  3. pp. 130-132
  4. DOI: 10.1353/dtc.2017.0026
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  1. Ancient Greek and Contemporary Performance: Collected Essays by Graham Ley
  2. Lauren Friesen
  3. pp. 132-134
  4. DOI: 10.1353/dtc.2017.0027
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  1. The Contemporary American Monologue: Performance and Politics by Eddie Paterson
  2. Stephen Harrick
  3. pp. 134-136
  4. DOI: 10.1353/dtc.2017.0028
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  1. The Story of Drama: Tragedy, Comedy and Sacrifice from the Greeks to the Present by Gary Day
  2. Daniel Larner
  3. pp. 136-138
  4. DOI: 10.1353/dtc.2017.0029
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  1. Indifference to Difference: On Queer Universalism by Madhavi Menon
  2. Ali-Reza Mirsajadi
  3. pp. 138-140
  4. DOI: 10.1353/dtc.2017.0030
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  1. The Oxford Handbook of Dance and Theater ed. by Nadine George-Graves
  2. Ariel Nereson
  3. pp. 140-142
  4. DOI: 10.1353/dtc.2017.0031
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  1. Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power by Frode Helland
  2. Megan Stahl
  3. pp. 142-144
  4. DOI: 10.1353/dtc.2017.0032
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  1. Shattering Hamlet's Mirror: Theatre and Reality by Marvin Carlson
  2. Elizabeth E. Tavares
  3. pp. 144-146
  4. DOI: 10.1353/dtc.2017.0033
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  1. Eighteenth-Century Brechtians: Theatrical Satire in the Age of Walpole by Joel Schechter
  2. Seth Wilson
  3. pp. 147-148
  4. DOI: 10.1353/dtc.2017.0034
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  1. Books Received: *Assigned for review **Review appears in JDTC's Fall 2017 issue
  2. pp. 149-157
  3. DOI: 10.1353/dtc.2017.0035
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